Jonathan Greber
Jonathan Greber is a supervising sound editor whose career spans feature films, animated blockbusters, prestigious documentaries, television series, and non-fiction programming. He is based in Novato, California, and works at Skywalker Sound, a leading post-production facility renowned for its high standards in sound design and editing.
Greber’s voice editing and sound supervision credits include major projects like The Raid 2 (2014), Cloverfield (2008), and Minority Report (2002). He has gone on to supervise sound on a wide array of high-profile titles across different media — among them Sing, Despicable Me 3, The Croods: A New Age, Spiderhead, The Secret Life of Pets 2, Andor, X‑Men ’97, McCartney 3, 2, 1, The Bee Gees: How Can You Mend a Broken Heart, and Laurel Canyon, to name just a sample.
Jonathan Greber has earned significant industry recognition for his work. He won the Primetime Emmy Award for Outstanding Sound Editing for a Non-fiction or Reality Program for The Bee Gees: How Can You Mend a Broken Heart in 2021. The previous year, 2020, he was nominated in the same Emmy category for Laurel Canyon: A Place in Time. In 2022, he received another Emmy nomination, this time as ADR editor on the Disney+ series Andor, for Outstanding Sound Editing for a Comedy or Drama Series (One Hour).
He was also honoured by the Motion Picture Sound Editors with Golden Reel Awards. In 2020, he won the Outstanding Achievement in Sound Editing award in the Non-Theatrical Documentary category for his work on Laurel Canyon. In 2021, he received a Golden Reel Award for his work on the Laurel Canyon project as well.
Greber’s voice editing and sound supervision credits include major projects like The Raid 2 (2014), Cloverfield (2008), and Minority Report (2002). He has gone on to supervise sound on a wide array of high-profile titles across different media — among them Sing, Despicable Me 3, The Croods: A New Age, Spiderhead, The Secret Life of Pets 2, Andor, X‑Men ’97, McCartney 3, 2, 1, The Bee Gees: How Can You Mend a Broken Heart, and Laurel Canyon, to name just a sample.
Jonathan Greber has earned significant industry recognition for his work. He won the Primetime Emmy Award for Outstanding Sound Editing for a Non-fiction or Reality Program for The Bee Gees: How Can You Mend a Broken Heart in 2021. The previous year, 2020, he was nominated in the same Emmy category for Laurel Canyon: A Place in Time. In 2022, he received another Emmy nomination, this time as ADR editor on the Disney+ series Andor, for Outstanding Sound Editing for a Comedy or Drama Series (One Hour).
He was also honoured by the Motion Picture Sound Editors with Golden Reel Awards. In 2020, he won the Outstanding Achievement in Sound Editing award in the Non-Theatrical Documentary category for his work on Laurel Canyon. In 2021, he received a Golden Reel Award for his work on the Laurel Canyon project as well.
Filmografie
| 2025 | John Candy: I Like Me · as Supervising Sound Editor |
| 2025 | Marvel Zombies · as Supervising Sound Editor |
| 2025 | Eyes of Wakanda · as Supervising Sound Editor |
| 2025 | The Sound · as Sound EditorNa Plexu |
| 2024 | Road Diary: Bruce Springsteen and the E Street Band · as Supervising Sound Editor |
| 2024 | The Beach Boys · as Supervising Sound Editor |
| 2024 | X-Men '97 · as Supervising Sound Editor |
| 2023 | Sly · as Supervising Sound Editor |
| 2022 | X · as Supervising Sound Editor |
| 2021 | Sing 2 · as Dialogue Editor |
| 2020 | The Croods: A New Age · as Dialogue Editor |
| 2019 | Santa's Little Helpers · as Sound Editor |
| 2018 | The Man Who Killed Hitler and Then the Bigfoot · as Supervising Sound Editor |
| 2018 | The Grinch · as Dialogue Editor |
| 2017 | Lasso · as Supervising Sound EditorNa Plexu |
| 2017 | Gunter Babysits · as Sound Editor |
| 2017 | Eddie's Life Coach · as Sound Editor |
| 2016 | Certain Women · as Foley EditorNa Plexu |
| 2015 | Home · as Assistant Sound Editor |
| 2014 | The Raid 2 · as Supervising Sound Editor |
| 2012 | The Devil's Dosh · as Sound |
| 2008 | The Sky Crawlers · as Sound |