Jason D. Morris
Producent, Střihač, Režisér, Scénárista, Herec, Skladatel
28. února 1979 (47 let)
Jason D. Morris is an emerging filmmaker recognized for his distinctive approach to the horror genre. He has cultivated a reputation for pairing atmospheric tension with unique undertones, resulting in films that entertain while subverting traditional storytelling conventions. Morris’s latest work, The Space Rodent, exemplifies his commitment to crafting innovative narratives on a micro-budget, reflecting both his resourcefulness and dedication to independent cinema. He studied film at Academy of Art University in San Francisco, refining the hands-on approach that now characterizes his creative process.
Morris was drawn to filmmaking through his early fascination with genre movies and their ability to evoke a wide range of emotional responses. He further pursued informal training and self-directed study of film production techniques, gaining hands-on experience in low-budget projects that demanded versatile skill sets. As a result, he developed expertise not only in direction but also in screenwriting, editing, and producing. Prior to The Space Rodent, Morris helmed earlier projects such as Collapse (2015)—an existential horror feature—and the documentary Millennium After the Millennium (2019), showcasing his capacity to weave compelling narratives across multiple genres.
In his directorial work, Morris emphasizes collaboration and creative problem-solving. His sets are reputed for their supportive atmosphere, where cast and crew are encouraged to experiment with improv elements and comedic timing. This focus on teamwork contributes to the distinctive comedic beats that punctuate Morris’s otherwise suspense-laden storylines. The Space Rodent, his first comedic feature-length film, serves as a testament to this approach—melding chills, laughs, and a sense of playful irreverence.
Morris cites classic horror directors, as well as contemporary independent filmmakers, among his key influences. He frequently experiments with unconventional visual effects and practical makeup techniques, underscoring his belief in the power of hands-on artistry. With The Space Rodent, he continues to build a body of work that aims to challenge audience expectations while celebrating the fun inherent in genre filmmaking.
Committed to expanding the horizons of low-budget horror, Jason D. Morris remains focused on exploring uncharted intersections between fear and humor. His evolving filmography demonstrates an ambition to redefine what is achievable within independent productions, positioning him as a noteworthy talent in the realm of horror cinema.
Morris was drawn to filmmaking through his early fascination with genre movies and their ability to evoke a wide range of emotional responses. He further pursued informal training and self-directed study of film production techniques, gaining hands-on experience in low-budget projects that demanded versatile skill sets. As a result, he developed expertise not only in direction but also in screenwriting, editing, and producing. Prior to The Space Rodent, Morris helmed earlier projects such as Collapse (2015)—an existential horror feature—and the documentary Millennium After the Millennium (2019), showcasing his capacity to weave compelling narratives across multiple genres.
In his directorial work, Morris emphasizes collaboration and creative problem-solving. His sets are reputed for their supportive atmosphere, where cast and crew are encouraged to experiment with improv elements and comedic timing. This focus on teamwork contributes to the distinctive comedic beats that punctuate Morris’s otherwise suspense-laden storylines. The Space Rodent, his first comedic feature-length film, serves as a testament to this approach—melding chills, laughs, and a sense of playful irreverence.
Morris cites classic horror directors, as well as contemporary independent filmmakers, among his key influences. He frequently experiments with unconventional visual effects and practical makeup techniques, underscoring his belief in the power of hands-on artistry. With The Space Rodent, he continues to build a body of work that aims to challenge audience expectations while celebrating the fun inherent in genre filmmaking.
Committed to expanding the horizons of low-budget horror, Jason D. Morris remains focused on exploring uncharted intersections between fear and humor. His evolving filmography demonstrates an ambition to redefine what is achievable within independent productions, positioning him as a noteworthy talent in the realm of horror cinema.
Filmografie
| 2025 | |
| 2025 | |
| 2025 | |
| 2019 | |
| 2018 | Dark WinterNa Plexu |
| 2015 | Collapse · as Co-ProducerNa Plexu |
| 2015 | Story of EvaNa Plexu |
| 2014 | Predatory Lender · as Co-Producer |
| 2013 | BetrayalNa Plexu |
| 2025 | |
| 2019 | |
| 2018 | Dark WinterNa Plexu |
| 2015 | CollapseNa Plexu |
| 2015 | Story of EvaNa Plexu |
| 2014 | |
| 2008 | Hell House: The Book of SamielNa Plexu |
| 2025 | |
| 2025 | |
| 2025 | |
| 2019 | |
| 2018 | Dark WinterNa Plexu |
| 2015 | CollapseNa Plexu |
| 2008 | Hell House: The Book of SamielNa Plexu |
| 2025 | |
| 2018 | Dark WinterNa Plexu |
| 2013 | BetrayalNa Plexu |
| 2008 | Hell House: The Book of SamielNa Plexu |
| 2008 | Hell House: The Book of Samiel · as Adam's DadNa Plexu |
| 2008 | Hell House: The Book of SamielNa Plexu |
| 2025 | The Space Rodent · as Cinematographer |
| 2025 | The Space Rodent · as Original Story |
| 2019 | Millennium After the Millennium · as Cinematographer |
| 2015 | Story of Eva · as Director Of PhotographyNa Plexu |
| 2014 | Predatory Lender · as Cinematographer |
| 2013 | Betrayal · as Director Of PhotographyNa Plexu |