Hugo Riesenfeld
Skladatel
26. ledna 1879 — 10. září 1939 (60 let)
From Wikipedia, the free encyclopedia
Hugo Riesenfeld (January 26, 1879 – September 10, 1939) was an Austrian-American composer. As a film director, he began to write his own orchestral compositions for silent films in 1917, and co-created modern production techniques where film scoring serves an integral part of the action. Riesenfeld composed about 100 film scores in his career.
His most successful compositions were for Cecil B. DeMille's Joan the Woman (1917), The Ten Commandments (1923) and The King of Kings (1927); D. W. Griffith's Abraham Lincoln (1930); and the original scores to F. W. Murnau's Sunrise (1927) and Tabu (1931).
Born in Vienna, Riesenfeld's musical career began at the age of seven with a violin study at the Conservatory of the Gesellschaft der Musikfreunde in his city of birth, where he graduated at the age of 17 in piano, violin and composition degrees. He briefly played in the Vienna Philharmonic. By the end of the 19th century, he was playing with Arnold Schönberg, Arthur Bodanzky, and Edward Falck in a local string quartet.
In 1907, Riesenfeld emigrated to New York City. He did his first work in film when he conducted the accompaniment for Jesse L. Lasky's production of Carmen (1915).
On 15 April 1923, with inventor Lee de Forest, Riesenfeld co-presented a show at the Rivoli Theater in New York City of 18 short films made in the Phonofilm sound-on-film process.
Riesenfeld died in 1939 in Los Angeles after a severe illness. His daughter Janet starred in some Mexican movies as a dancer and actress under the pseudonym Raquel Rojas and Janet Alcorzia and later became a screenwriter.
Hugo Riesenfeld (January 26, 1879 – September 10, 1939) was an Austrian-American composer. As a film director, he began to write his own orchestral compositions for silent films in 1917, and co-created modern production techniques where film scoring serves an integral part of the action. Riesenfeld composed about 100 film scores in his career.
His most successful compositions were for Cecil B. DeMille's Joan the Woman (1917), The Ten Commandments (1923) and The King of Kings (1927); D. W. Griffith's Abraham Lincoln (1930); and the original scores to F. W. Murnau's Sunrise (1927) and Tabu (1931).
Born in Vienna, Riesenfeld's musical career began at the age of seven with a violin study at the Conservatory of the Gesellschaft der Musikfreunde in his city of birth, where he graduated at the age of 17 in piano, violin and composition degrees. He briefly played in the Vienna Philharmonic. By the end of the 19th century, he was playing with Arnold Schönberg, Arthur Bodanzky, and Edward Falck in a local string quartet.
In 1907, Riesenfeld emigrated to New York City. He did his first work in film when he conducted the accompaniment for Jesse L. Lasky's production of Carmen (1915).
On 15 April 1923, with inventor Lee de Forest, Riesenfeld co-presented a show at the Rivoli Theater in New York City of 18 short films made in the Phonofilm sound-on-film process.
Riesenfeld died in 1939 in Los Angeles after a severe illness. His daughter Janet starred in some Mexican movies as a dancer and actress under the pseudonym Raquel Rojas and Janet Alcorzia and later became a screenwriter.
Filmy a seriály na Plexu
Filmografie
| 1939 | |
| 1938 | King of the Sierras · as Composer |
| 1938 | Sunset Murder Case · as Original Music Composer |
| 1938 | Tell Your Children · as Original Music ComposerNa Plexu |
| 1938 | Hawaii Calls · as Composer |
| 1938 | |
| 1937 | Gunsmoke Ranch · as Original Music ComposerNa Plexu |
| 1937 | Circus Girl · as Composer |
| 1937 | Larceny on the Air · as Original Music Composer |
| 1936 | The Mandarin Mystery · as Original Music Composer |
| 1936 | Rainbow on the River · as Composer |
| 1936 | Ghost Town Gold · as Original Music Composer |
| 1936 | Daniel Boone · as ComposerNa Plexu |
| 1936 | The Devil on Horseback · as Original Music Composer |
| 1936 | The President's Mystery · as Original Music Composer |
| 1936 | Tundra · as Composer |
| 1936 | Follow Your Heart · as Composer |
| 1936 | Revolt of the ZombiesNa Plexu |
| 1936 | Hearts in Bondage · as ComposerNa Plexu |
| 1936 | Let's Sing Again · as Composer |
| 1934 | Little Men · as Composer |
| 1934 | The President Vanishes · as Original Music Composer |
| 1934 | Peck's Bad Boy · as Composer |
| 1934 | Two Heads on a Pillow · as Original Music Composer |
| 1933 | Thunder Over Mexico · as Composer |
| 1931 | Tabu: A Story of the South Seas · as Original Music Composer |
| 1930 | Hell's Angels · as Original Music Composer |
| 1930 | |
| 1930 | The Bad One · as Composer |
| 1929 | The Taming of the Shrew · as Original Music ComposerNa Plexu |
| 1929 | Evangeline · as Original Music Composer |
| 1929 | Eternal Love · as Composer |
| 1929 | The Iron Mask · as Composer |
| 1929 | |
| 1929 | Lady of the Pavements · as Composer |
| 1928 | |
| 1928 | The Battle of the Sexes · as Original Music Composer |
| 1928 | Looping the Loop · as Composer |
| 1928 | The Woman Disputed · as Original Music Composer |
| 1928 | The Godless Girl · as Composer |
| 1928 | Tempest · as Original Music Composer |
| 1928 | |
| 1927 | Sunrise · as Original Music ComposerNa Plexu |
| 1927 | The King of Kings · as Composer |
| 1927 | Uncle Tom's Cabin · as Composer |
| 1927 | |
| 1927 | Old San Francisco · as Composer |
| 1927 | The Cat and the Canary · as Original Music ComposerNa Plexu |
| 1927 | Chang: A Drama of the Wilderness · as Original Music Composer |
| 1926 | Old Ironsides · as Composer |
| 1926 | The Sorrows of Satan · as Original Music Composer |
| 1926 | Beau Geste · as Composer |
| 1926 | The Volga Boatman · as Composer |
| 1925 | Les Misérables · as Composer |
| 1925 | The Vanishing American · as Composer |
| 1925 | The Pony Express · as Composer |
| 1925 | |
| 1925 | The Wanderer · as Composer |
| 1925 | Madame Sans-Gêne · as Composer |
| 1925 | |
| 1924 | Monsieur Beaucaire · as Composer |
| 1923 | The Ten Commandments · as ComposerNa Plexu |
| 1923 | The Hunchback of Notre Dame · as ComposerNa Plexu |
| 1923 | The Covered Wagon · as Composer |
| 1922 | The Loves of Pharaoh · as Composer |
| 1920 | Anna Boleyn · as Composer |
| 1920 | Conrad in Quest of His Youth · as Original Music Composer |
| 1920 | Humoresque · as Original Music Composer |
| 1919 | The Miracle Man · as Composer |
| 1918 | The Blue Bird · as Composer |
| 1916 | The Aryan · as Composer |
| 1916 | Hoodoo Ann · as Original Music Composer |
| 1937 | Make a Wish · as Music Director |
| 1933 | The Wandering Jew · as Music Director |
| 1930 | The Lottery Bride · as Songs |
| 1930 | One Romantic Night · as Music Arranger |
| 1929 | Bulldog Drummond · as Music Director |
| 1929 | Alibi · as Music Arranger |
| 1929 | Coquette · as Sound |
| 1925 | Grass: A Nation's Battle for Life · as Music Arranger |