Gregg Toland
Herec, Režisér
29. května 1904 — 26. září 1948 (44 let)
From Wikipedia
Gregg Toland, A.S.C. (May 29, 1904 – September 28, 1948) was an American cinematographer noted for his innovative use of lighting and techniques such as deep focus, an example of which can be found in his work on Orson Welles' Citizen Kane.
Toland was born in Charleston, Illinois on May 29, 1904. During the 1930s, Toland became the youngest cameraman in Hollywood but soon one of its most sought-after cinematographers. Over a seven-year span (1936–1942), he was nominated five times for the "Best Cinematography" Oscar, including a win in 1940 for his work on Wuthering Heights. He worked with many of the top directors of his era, including John Ford, Howard Hawks, Erich von Stroheim, King Vidor, Orson Welles, and William Wyler.
Toland was the subject of an "Annals of Hollywood" article in The New Yorker, "The Cameraman," by Hilton Als (June 19, 2006, p. 46). Just before his death, he was concentrating on the "ultimate focus" lens, which makes both near and far objects equally distinct. He died in Los Angeles, California on September 26, 1948 of coronary thrombosis at age 44. He is interred in the Hollywood Forever Cemetery in Hollywood, California.
Gregg Toland, A.S.C. (May 29, 1904 – September 28, 1948) was an American cinematographer noted for his innovative use of lighting and techniques such as deep focus, an example of which can be found in his work on Orson Welles' Citizen Kane.
Toland was born in Charleston, Illinois on May 29, 1904. During the 1930s, Toland became the youngest cameraman in Hollywood but soon one of its most sought-after cinematographers. Over a seven-year span (1936–1942), he was nominated five times for the "Best Cinematography" Oscar, including a win in 1940 for his work on Wuthering Heights. He worked with many of the top directors of his era, including John Ford, Howard Hawks, Erich von Stroheim, King Vidor, Orson Welles, and William Wyler.
Toland was the subject of an "Annals of Hollywood" article in The New Yorker, "The Cameraman," by Hilton Als (June 19, 2006, p. 46). Just before his death, he was concentrating on the "ultimate focus" lens, which makes both near and far objects equally distinct. He died in Los Angeles, California on September 26, 1948 of coronary thrombosis at age 44. He is interred in the Hollywood Forever Cemetery in Hollywood, California.
Filmy a seriály na Plexu
Filmografie
| 1941 | Citizen Kane · as Interviewer |
| 2001 | Walt: The Man Behind the Myth · as Self |
| 1992 | Visions of Light · as Self - Takes Light Level On Gary Cooper |
| 1986 | Nem Tudo é Verdade · as Self |
| 1943 |
| 1943 |
| 1948 | Enchantment · as Director Of PhotographyNa Plexu |
| 1948 | A Song Is Born · as Director Of PhotographyNa Plexu |
| 1947 | The Bishop's Wife · as Director Of PhotographyNa Plexu |
| 1946 | The Best Years of Our Lives · as Director Of PhotographyNa Plexu |
| 1946 | Song of the South · as Director Of Photography |
| 1946 | Notorious · as Second Unit Director Of PhotographyNa Plexu |
| 1946 | The Kid from Brooklyn · as Director Of PhotographyNa Plexu |
| 1943 | December 7th · as Director Of Photography |
| 1943 | The Outlaw · as Director Of PhotographyNa Plexu |
| 1941 | Ball of Fire · as Director Of PhotographyNa Plexu |
| 1941 | The Little Foxes · as Director Of PhotographyNa Plexu |
| 1941 | Citizen Kane · as Director Of Photography |
| 1940 | The Long Voyage Home · as Director Of Photography |
| 1940 | The Westerner · as Director Of PhotographyNa Plexu |
| 1940 | The Grapes of Wrath · as Director Of Photography |
| 1939 | Raffles · as Director Of PhotographyNa Plexu |
| 1939 | Intermezzo · as Director Of PhotographyNa Plexu |
| 1939 | They Shall Have Music · as Director Of PhotographyNa Plexu |
| 1939 | Wuthering Heights · as Director Of PhotographyNa Plexu |
| 1938 | The Cowboy and the Lady · as Director Of PhotographyNa Plexu |
| 1938 | Kidnapped · as Cinematographer |
| 1938 | The Goldwyn Follies · as Director Of PhotographyNa Plexu |
| 1937 | Dead End · as Director Of PhotographyNa Plexu |
| 1937 | Woman Chases Man · as Director Of PhotographyNa Plexu |
| 1937 | History Is Made at Night · as Director Of Photography |
| 1936 | Beloved Enemy · as Director Of PhotographyNa Plexu |
| 1936 | Come and Get It · as Director Of PhotographyNa Plexu |
| 1936 | The Road to Glory · as Director Of Photography |
| 1936 | These Three · as Director Of PhotographyNa Plexu |
| 1935 | Splendor · as Director Of Photography |
| 1935 | The Dark Angel · as Director Of Photography |
| 1935 | Mad Love · as Director Of Photography |
| 1935 | Public Hero Number 1 · as Director Of Photography |
| 1935 | Les Misérables · as Director Of PhotographyNa Plexu |
| 1935 | The Wedding Night · as Director Of PhotographyNa Plexu |
| 1934 | Forsaking All Others · as Director Of Photography |
| 1934 | We Live Again · as Director Of PhotographyNa Plexu |
| 1934 | Lazy River · as Director Of Photography |
| 1934 | Nana · as Director Of Photography |
| 1933 | Roman Scandals · as Director Of PhotographyNa Plexu |
| 1933 | The Masquerader · as Director Of Photography |
| 1933 | Tugboat Annie · as Cinematographer |
| 1933 | The Nuisance · as Director Of Photography |
| 1932 | The Kid from Spain · as Director Of PhotographyNa Plexu |
| 1932 | The Tenderfoot · as Director Of Photography |
| 1932 | The Washington Masquerade · as Director Of Photography |
| 1932 | Man Wanted · as Director Of Photography |
| 1932 | Play Girl · as Cinematographer |
| 1931 | The Unholy Garden · as Cinematographer |
| 1931 | Palmy Days · as Director Of PhotographyNa Plexu |
| 1931 | Street Scene · as Director Of PhotographyNa Plexu |
| 1931 | Indiscreet · as CinematographerNa Plexu |
| 1931 | Tonight or Never · as Director Of Photography |
| 1930 | One Heavenly Night · as Director Of Photography |
| 1930 | The Devil to Pay! · as Director Of PhotographyNa Plexu |
| 1930 | Whoopee! · as Director Of PhotographyNa Plexu |
| 1930 | Raffles · as Director Of PhotographyNa Plexu |
| 1929 | Queen Kelly · as Cinematographer |
| 1929 | The Trespasser · as Director Of Photography |
| 1929 | Condemned! · as Director Of PhotographyNa Plexu |
| 1929 | Bulldog Drummond · as Director Of Photography |
| 1928 | The Life and Death of 9413, a Hollywood Extra · as Director Of Photography |
| 1926 | The Winning of Barbara Worth · as Director Of PhotographyNa Plexu |
| 1926 | The Bat · as Cinematographer |