Elwood Bredell
24. prosince 1902 — 26. února 1969 (66 let)
Elwood Bailey Bredell (24 December 1902 – 26 February 1969) was an American cinematographer and child silent screen actor. He is sometimes credited as Woody Bredell or Elwood Dell. Although he worked in many genres, mostly at Universal, Bredell is best known for his film noir cinematography on such movies as Phantom Lady (1944), Lady on a Train (1945) The Killers (1946), and The Unsuspected (1947). Famed Warner Bros. editor George Amy said Bredell could “light a football stadium with a single match.”
Bredell was the son of stage actress Mary Palmer Nields. He was named Jesse B. Bredell, Jr., after his father. Nields later married Vaughn "Val" Paul, a silent film actor turned production manager. (Paul's son with Nields, Vaughn Jr., was Deanna Durbin's first husband.)
After working as an adolescent actor in silent films, Bredell took a job as a studio lab technician while he cultivated a talent for photography. From about 1929–34, Bredell worked as a still photographer at RKO and Paramount, coinciding with his stepfather's tenures at those studios. At Paramount, Bredell apprenticed under veteran cinematographers Charles Lang and Arthur C. Miller. In 1936, Val Paul brought Bredell to Universal, where he continued his training under the studio's best cinematographer, Joseph Valentine. Bredell was promoted to cinematographer the next year, when Val produced Reckless Living (1938).
Bredell's work on horror films such as Black Friday (1940), The Mummy's Hand (1940), and Ghost of Frankenstein (1942), anticipated his work in film noir. He also photographed Deann Durbin musicals and comedies such as Hold That Ghost (1941), Hellzapoppin' (1941) and The Inspector General (1949). His final credit was on the 1955 B-movie Female Jungle.
From the Wikipedia article 'Elwood Bredell'
Bredell was the son of stage actress Mary Palmer Nields. He was named Jesse B. Bredell, Jr., after his father. Nields later married Vaughn "Val" Paul, a silent film actor turned production manager. (Paul's son with Nields, Vaughn Jr., was Deanna Durbin's first husband.)
After working as an adolescent actor in silent films, Bredell took a job as a studio lab technician while he cultivated a talent for photography. From about 1929–34, Bredell worked as a still photographer at RKO and Paramount, coinciding with his stepfather's tenures at those studios. At Paramount, Bredell apprenticed under veteran cinematographers Charles Lang and Arthur C. Miller. In 1936, Val Paul brought Bredell to Universal, where he continued his training under the studio's best cinematographer, Joseph Valentine. Bredell was promoted to cinematographer the next year, when Val produced Reckless Living (1938).
Bredell's work on horror films such as Black Friday (1940), The Mummy's Hand (1940), and Ghost of Frankenstein (1942), anticipated his work in film noir. He also photographed Deann Durbin musicals and comedies such as Hold That Ghost (1941), Hellzapoppin' (1941) and The Inspector General (1949). His final credit was on the 1955 B-movie Female Jungle.
From the Wikipedia article 'Elwood Bredell'
Filmografie
| 1955 | Female Jungle · as Director Of PhotographyNa Plexu |
| 1951 | Journey Into Light · as Director Of Photography |
| 1949 | The Inspector General · as Director Of PhotographyNa Plexu |
| 1948 | Adventures of Don Juan · as Director Of Photography |
| 1948 | Romance on the High Seas · as Director Of Photography |
| 1947 | The Unsuspected · as Director Of Photography |
| 1946 | The Killers · as Director Of Photography |
| 1946 | Tangier · as Director Of Photography |
| 1946 | Smooth as Silk · as Director Of Photography |
| 1945 | Lady on a Train · as Director Of Photography |
| 1944 | Can't Help Singing · as Director Of Photography |
| 1944 | Christmas Holiday · as Director Of Photography |
| 1944 | Phantom Lady · as Director Of Photography |
| 1943 | His Butler's Sister · as Director Of Photography |
| 1943 | Hers to Hold · as Director Of Photography |
| 1943 | Follow the Band · as Director Of Photography |
| 1943 | The Amazing Mrs. Holliday · as Director Of Photography |
| 1942 | Sherlock Holmes and the Voice of Terror · as Director Of Photography |
| 1942 | Tough as They Come · as Director Of Photography |
| 1942 | Private Buckaroo · as Director Of Photography |
| 1942 | Mystery of Marie Roget · as Director Of Photography |
| 1942 | The Strange Case of Doctor Rx · as Director Of Photography |
| 1942 | Butch Minds the Baby · as Director Of Photography |
| 1942 | The Ghost of Frankenstein · as Director Of Photography |
| 1941 | Hellzapoppin' · as Director Of Photography |
| 1941 | South of Tahiti · as Director Of Photography |
| 1941 | Mob Town · as Director Of Photography |
| 1941 | Hold That Ghost · as Director Of Photography |
| 1941 | Man Made Monster · as Director Of Photography |
| 1941 | Horror Island · as Director Of Photography |
| 1940 | The Invisible Woman · as Director Of Photography |
| 1940 | Dark Streets of Cairo · as Director Of Photography |
| 1940 | Sandy Gets Her Man · as Cinematographer |
| 1940 | The Mummy's Hand · as Director Of Photography |
| 1940 | Argentine Nights · as Director Of Photography |
| 1940 | Boom Town · as Cinematographer |
| 1940 | You're Not So Tough · as Cinematographer |
| 1940 | Gangs of Chicago · as Director Of Photography |
| 1940 | Black Friday · as Director Of Photography |
| 1940 | Double Alibi · as Director Of Photography |
| 1940 | Honeymoon Deferred · as Director Of Photography |
| 1940 | Danger on Wheels · as Director Of Photography |
| 1939 | Call a Messenger · as Director Of Photography |
| 1939 | Code of the Streets · as Cinematographer |
| 1938 | Little Tough Guy · as Director Of Photography |