Edgar Brasil
Herec, Střihač
21. června 1902 — 4. ledna 1954 (51 let)
Edgar Brasil, born Edgar Hauschildt (June 21, 1902 – April 1, 1954) was a German-born Brazilian cinematographer. He worked on more than 50 productions during his career. Edgar Brasil's career focused primarily on studio cinema. Therefore, at each company he worked for, he encountered different resources and developed different types of cinema. While at Cinédia, he developed a style very similar to Hollywood, with elements and features of Art Deco cinema, moving toward classical cinematography. At Atlântida, due to technical limitations, Edgar had to make more basic and restrained films. It was at Vera Cruz and Kino Filmes that Brasil returned to studio work creatively, once again influenced by North American cinema, through expressionist lighting reminiscent of Hollywood film noir. (Wikipedia)
Filmografie
| 1931 | Limit · as Man Asleep In The Theatre |
| 1931 |
| 1954 | A Real Woman · as Director Of Photography |
| 1953 | Candinho · as Director Of Photography |
| 1952 | Barnabé Tu És Meu · as Director Of Photography |
| 1952 | É Fogo na Roupa · as Director Of Photography |
| 1950 | Aviso aos Navegantes · as Director Of Photography |
| 1949 | Também Somos Irmãos · as Director Of Photography |
| 1946 | Fantasma Por Acaso · as Cinematographer |
| 1936 | O Jovem Tataravô · as Cinematographer |
| 1936 | Alô Alô Carnaval · as Director Of Photography |
| 1933 | Ganga Bruta · as Cinematographer |
| 1933 | A Voz do Carnaval · as Director Of Photography |
| 1931 | Limit · as Director Of Photography |
| 1929 | Sangue Mineiro · as Cinematographer |
| 1928 | Sleeping Ember · as Cinematographer |