Billy Bitzer
Režisér
21. dubna 1872 — 29. dubna 1944 (72 let)
Gottfried Wilhelm "Billy" Bitzer (April 21, 1872 – April 29, 1944) was a pioneering American cinematographer notable for his close association with D. W. Griffith.
In 2003, a survey conducted by the International Cinematographers Guild named him one of the ten most influential cinematographers in history. Bitzer, it is said, "developed camera techniques that set the standard for all future motion pictures."
Description above from the Wikipedia article Billy Bitzer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In 2003, a survey conducted by the International Cinematographers Guild named him one of the ten most influential cinematographers in history. Bitzer, it is said, "developed camera techniques that set the standard for all future motion pictures."
Description above from the Wikipedia article Billy Bitzer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Filmografie
| 2021 | The Méliès Mystery · as Self (archive Footage) |
| 1951 | Footlight Varieties · as Cinematographer |
| 1929 | Lady of the Pavements · as Cinematographer |
| 1928 | The Battle of the Sexes · as Director Of Photography |
| 1928 | Drums of Love · as Cinematographer |
| 1925 | The Midnight Girl · as Director Of Photography |
| 1924 | America · as Director Of Photography |
| 1923 | The White Rose · as Director Of Photography |
| 1921 | Orphans of the Storm · as Director Of Photography |
| 1920 | Way Down East · as Director Of PhotographyNa Plexu |
| 1920 | The Love Flower · as Director Of Photography |
| 1920 | The Idol Dancer · as Director Of Photography |
| 1919 | The Greatest Question · as Director Of Photography |
| 1919 | Scarlet Days · as Director Of Photography |
| 1919 | Broken Blossoms or the Yellow Man and the Girl · as Director Of PhotographyNa Plexu |
| 1919 | The Mother and the Law · as Director Of Photography |
| 1919 | The Fall of Babylon · as Director Of Photography |
| 1919 | True Heart Susie · as Director Of Photography |
| 1919 | The Girl Who Stayed at Home · as Director Of Photography |
| 1919 | A Romance of Happy Valley · as Director Of Photography |
| 1918 | The Greatest Thing in Life · as Director Of Photography |
| 1918 | The Great Love · as Director Of Photography |
| 1918 | Hearts of the World · as Director Of Photography |
| 1916 | Intolerance · as Director Of PhotographyNa Plexu |
| 1915 | The Birth of a Nation · as Director Of Photography |
| 1914 | The Avenging Conscience: or 'Thou Shalt Not Kill' · as Director Of Photography |
| 1914 | The Escape · as Director Of Photography |
| 1914 | Home, Sweet Home · as Director Of Photography |
| 1914 | The Battle of the Sexes · as Cinematographer |
| 1914 | Judith of Bethulia · as Director Of Photography |
| 1913 | The Battle of Elderbush Gulch · as Director Of Photography |
| 1913 | The Coming of Angelo · as Cinematographer |
| 1913 | The Mothering Heart · as Director Of Photography |
| 1913 | Death's Marathon · as Cinematographer |
| 1913 | A Girl's Stratagem · as Cinematographer |
| 1913 | Drink's Lure · as Cinematographer |
| 1912 | The Burglar's Dilemma · as Director Of Photography |
| 1912 | The New York Hat · as Director Of Photography |
| 1912 | The Musketeers of Pig Alley · as Director Of Photography |
| 1912 | The Painted Lady · as Director Of Photography |
| 1912 | An Unseen Enemy · as Director Of Photography |
| 1912 | A Beast at Bay · as Director Of Photography |
| 1912 | The Girl and Her Trust · as Director Of Photography |
| 1912 | The Mender of Nets · as Director Of Photography |
| 1911 | As in a Looking Glass · as Cinematographer |
| 1911 | The Making of a Man · as Director Of Photography |
| 1911 | Swords and Hearts · as Director Of Photography |
| 1911 | The Rose of Kentucky · as Director Of Photography |
| 1911 | Enoch Arden · as Director Of Photography |
| 1911 | The Lonedale Operator · as Director Of Photography |
| 1911 | Conscience · as Cinematographer |
| 1911 | His Trust: The Faithful Devotion and Self-Sacrifice of an Old Negro Servant · as Director Of Photography |
| 1910 | The Oath and the Man · as Cinematographer |
| 1910 | The Modern Prodigal · as Cinematographer |
| 1910 | The House with Closed Shutters · as Director Of Photography |
| 1910 | Her Father's Pride · as Cinematographer |
| 1910 | An Arcadian Maid · as Cinematographer |
| 1910 | A Flash of Light · as Director Of Photography |
| 1910 | A Child's Faith · as Cinematographer |
| 1910 | A Child's Impulse · as Cinematographer |
| 1910 | In the Border States · as Director Of Photography |
| 1910 | A Child of the Ghetto · as Cinematographer |
| 1910 | The Unchanging Sea · as Director Of Photography |
| 1910 | The Gold Seekers · as Cinematographer |
| 1910 | The Newlyweds · as Cinematographer |
| 1909 | A Corner in Wheat · as Director Of Photography |
| 1909 | The Sealed Room · as Director Of Photography |
| 1909 | The Country Doctor · as Director Of Photography |
| 1909 | The Lonely Villa · as Director Of Photography |
| 1909 | I Did It · as Cinematographer |
| 1909 | Edgar Allan Poe · as Director Of Photography |
| 1909 | Those Awful Hats · as Director Of Photography |
| 1906 | San Francisco: Aftermath of Earthquake · as Director Of Photography |
| 1905 | New York Subway · as Director Of Photography |
| 1904 | Westinghouse Works · as Director Of Photography |
| 1901 | President McKinley Taking the Oath · as Cinematographer |
| 1899 | Jeffries-Sharkey Contest · as Cinematographer |
| 1896 | Rip Meeting the Dwarf · as Cinematographer |
| 1896 | Rip's Toast to Hudson · as Cinematographer |
| 1896 | Rip's Twenty Years' Sleep · as Cinematographer |
| 1896 | Awakening of Rip · as Cinematographer |
| 1896 | Rip's Toast · as Cinematographer |
| 1896 | Rip Leaving Sleepy Hollow · as Cinematographer |
| 1896 | Exit of Rip and the Dwarf · as Cinematographer |
| 1896 | Rip Passing Over the Mountain · as Cinematographer |
| 1896 | William McKinley at Canton, Ohio · as Director Of Photography |
| 1896 | Rip Van Winkle · as Cinematographer |