Alvin Wyckoff
Herec
3. července 1877 — 30. července 1957 (80 let)
Alvin Wyckoff (July 3, 1877 – July 30, 1957) was an American cinematographer who worked on more than 80 films between 1914 and 1945.
Several of Wyckoff's films had sequences filmed in the early Handschiegl Color Process, originally billed as the "DeMille-Wyckoff Process". Wyckoff also worked with DeMille to develop the Lasky-lighting technique, which made selective lighting possible.
From Wikipedia, the free encyclopedia
Several of Wyckoff's films had sequences filmed in the early Handschiegl Color Process, originally billed as the "DeMille-Wyckoff Process". Wyckoff also worked with DeMille to develop the Lasky-lighting technique, which made selective lighting possible.
From Wikipedia, the free encyclopedia
Filmografie
| 1912 | Monte Cristo · as Cast |
| 1910 |
| 1936 | The Bold Caballero · as CinematographerNa Plexu |
| 1935 | El primo Basilio · as Cinematographer |
| 1934 | White Heat · as Director Of Photography |
| 1934 | The Lost Jungle · as Director Of Photography |
| 1934 | The Lost Jungle · as Cinematographer |
| 1933 | The Mystery Squadron · as Director Of Photography |
| 1933 | Fighting with Kit Carson · as Director Of Photography |
| 1932 | If I Had a Million · as Director Of Photography |
| 1930 | The Storm · as Director Of Photography |
| 1930 | The Night Ride · as Director Of Photography |
| 1926 | The Canadian · as Director Of Photography |
| 1926 | It's the Old Army Game · as Director Of Photography |
| 1926 | The New Klondike · as Director Of Photography |
| 1925 | The Man Who Found Himself · as Cinematographer |
| 1925 | The Lucky Devil · as Cinematographer |
| 1925 | Old Home Week · as Cinematographer |
| 1925 | The Swan · as Director Of Photography |
| 1925 | A Kiss in the Dark · as Director Of Photography |
| 1923 | Adam's Rib · as Director Of Photography |
| 1922 | The Man Who Saw Tomorrow · as Cinematographer |
| 1922 | Manslaughter · as Director Of Photography |
| 1922 | Blood and Sand · as Director Of PhotographyNa Plexu |
| 1922 | Saturday Night · as Director Of Photography |
| 1921 | Fool's Paradise · as Director Of Photography |
| 1921 | The Affairs of Anatol · as Cinematographer |
| 1921 | Forbidden Fruit · as Cinematographer |
| 1920 | Something to Think About · as Director Of Photography |
| 1920 | Why Change Your Wife? · as Director Of PhotographyNa Plexu |
| 1919 | Male and Female · as Director Of Photography |
| 1919 | For Better, for Worse · as Cinematographer |
| 1919 | Don't Change Your Husband · as Cinematographer |
| 1918 | The Squaw Man · as Director Of Photography |
| 1918 | We Can't Have Everything · as Director Of Photography |
| 1918 | Old Wives for New · as Director Of Photography |
| 1918 | The Whispering Chorus · as Director Of Photography |
| 1917 | The Woman God Forgot · as Director Of Photography |
| 1917 | The Little American · as Director Of Photography |
| 1917 | A Romance of the Redwoods · as Director Of Photography |
| 1916 | Joan the Woman · as Director Of Photography |
| 1915 | The Golden Chance · as Director Of Photography |
| 1915 | The Cheat · as Director Of Photography |
| 1915 | Chimmie Fadden Out West · as Cinematographer |
| 1915 | Carmen · as Director Of Photography |
| 1915 | Chimmie Fadden · as Cinematographer |
| 1915 | The Arab · as Cinematographer |
| 1915 | The Captive · as Director Of Photography |
| 1915 | The Girl of the Golden West · as Cinematographer |
| 1914 | Rose of the Rancho · as Cinematographer |
| 1914 | The Virginian · as Director Of Photography |
| 1914 | The Call of the North · as Cinematographer |
| 1914 | Brewster's Millions · as Director Of Photography |
| 1914 | The Spoilers · as Cinematographer |
| 1912 | Monte Cristo · as Cinematographer |
| 1910 | The Wonderful Wizard of Oz · as Cinematographer |