Detektiv Benoit Blanc spojí síly s horlivým mladým knězem a zkusí rozlousknout dokonale nemožný zločin, ke kterému došlo ve venkovském kostele s hodně temnou historií.
Kde se dívat na Na nože: Probuzení mrtvého muže
- rg9400před 2 dnyI love myself a good murder mystery, and I found this movie had a fantastic setup that made for a very engaging watch. It does start a bit slow, but when the murder occurs, it picks up steam and never lets go. The cinematography also has a bunch of highlights, with a variety of really well framed shots. The lighting is very intentional, and the symbolism is extremely overt at times to the point of being almost too much. Unlike with Frankenstein though, the moments between these highlights don't feel cheap, though I do think there are enough that I wouldn't talk about the whole movie being very stylized. The problem is that Johnson has started to rely a bit too much on the formula. The setting is very different, and I would say this movie is much more about cults of personality and hostility and vitriol, very much tapping into the state of the current world. But the mystery itself is following the formula. This resulted in me being actually able to predict multiple things including even small details correctly. I was disappointed with that in the end, and I was hoping the movie would go in different directions. The setup and follow through until the reveal is awesome though. The other thing is that I think this movie might have the weakest cast of side characters. Many of them are barely relevant to the movie, and they just felt like a black hole overall. Almost all of them to be honest with one or two exceptions. Cailee Spaeny can do no wrong though. That said, Josh O'Connor is fantastic, and I really liked his character arc and conflict. I think he is one of the strongest of the 3 "Main Characters". Overall, the movie is good and definitely entertaining. I think people might start to get tired of this series, but I think he just needs to shake up the formula. I'm still really enjoying it. This movie has a lot less humor than the prior 2, and I think the ensemble is very weak which I think is why I'm not sure how I feel about it compared to Glass Onion. But I really enjoyed the setting, themes, and mystery even if I figured most of it out on my own
- cultfilmliker5. prosince 2025Jeremy Renner playing himself was rough to watch. Fitting way for his career to end 🤞 Where could they possibly have gotten the inspiration for this man and his followers?? The amount of blackmail he has on everyone is just too real Fun to see the who but slowly discover the ‘why!’ Masterful work by Rian. Was delighted to see Bridget Everett! After seeing Jeff Hiller in Plur1bus, i am just glad Somebody, Somewhere didn’t die in vain! That tree was fucking goofy lol They’re definitely gonna find that fucking diamond if you guys keep hiding it in plain sight!! Watched at Boulevard Theatres in Old Town
- Shaydeknight13. prosince 2025This film is a great watch. It's confident, engaging, and a welcome reaffirmation that the modern whodunnit still has plenty of life left in it. It stands shoulder to shoulder with Knives Out and is markedly stronger than Glass Onion, which veered too far into silliness for its own good. Daniel Craig continues to do excellent work with Benoit Blanc, both in terms of performance and character consistency. Blanc remains an entertaining presence, but it is worth noting that, as a detective, he is fundamentally different from figures like Holmes, Marple, or Poirot. He rarely explains or overtly demonstrates dazzling deductive prowess. In this installment, he deliberately holds back at the climax (no spoilers), but aside from that structural choice, he is surprisingly passive. In fact, it's curious how much the character plays second fiddle to Josh O'Connor's character, who frequently dominates the dramatic centre of the film. The ensemble cast is outstanding, just a gaggle of talent, all clearly well-directed and well-used. Performances are consistently strong across the board. Even Andrew Scott turns in a serviceable performance, which is notable given that I usually find him about as convincing as a wooden plank delivering a TED Talk. The story itself is well crafted, layered, and structurally sound. One particularly welcome surprise is its treatment of faith. As an atheist (and for many of the same reasons Blanc articulates in the film) I found the depiction refreshingly generous rather than cynical or patronizing. Faith is presented as a meaningful moral and communal force, and the scenes centred on Father Jud's desire to be a good man and a responsible community leader are genuinely touching. These moments add emotional texture without feeling preachy or contrived. Ultimately, Wake Up Dead Man succeeds because it takes the mystery genre seriously. It respects structure, character, and consequence, three things modern cinema too often discards. It is genuinely heartening to see someone in Hollywood committed to keeping the genre alive and treating it with craft and intelligence. We need more mystery films like this, and fewer that mistake cleverness for depth.
- RipLinesMan23. prosince 2025Wake Up Dead Man: A Knives Out Mystery sets up its church-town whodunit like Event Horizon (1997) remapped onto earthly institutions, and Rian Johnson uses that vibe to make investigation feel like a descent through sealed doors that keep locking behind you. Daniel Craig’s Benoit Blanc plays the Captain Miller role in spirit, not because he is military but because he treats logic like an airlock and refuses to let hysteria vent the room, while Josh O’Connor’s Fr. Jud Duplenticy radiates the kind of charisma that can become doctrine when the lights go red. Glenn Close as Martha Delacroix and Josh Brolin as Mons. Jefferson Wicks turn status and piety into pressure, like bulkheads under strain, and Mila Kunis as Chief Geraldine Scott functions as the pragmatic crew member trying to keep the ship operational while everyone else starts hearing whispers in the ducts. That is why Paul W. S. Anderson’s masterpiece still matters as a reference point, because Event Horizon’s core duel between Laurence Fishburne’s Miller, containment and responsibility, and Sam Neill’s Dr. William Weir, surrender dressed up as revelation, is the same moral geometry Johnson plays with here: the mystery is not just who did it, it is how badly people want the comforting lie, the shiny answer, the quick absolution, even if it opens a door to something infernal. The movie’s pleasure is watching Blanc navigate that hellish machinery with style and rigor, treating every clue like a warning light on the console, and the ensemble sells the idea that a community can become its own haunted vessel when guilt and power start warping the rules of reality.
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Na nože: Probuzení mrtvého muže byl vydán 26. listopadu 2025.
Na nože: Probuzení mrtvého muže byl režírován Rian Johnson.
Na nože: Probuzení mrtvého muže je dlouhý 2 h 25 m.
Na nože: Probuzení mrtvého muže byl produkován Rian Johnson, Ram Bergman.
Detektiv Benoit Blanc spojí síly s horlivým mladým knězem a zkusí rozlousknout dokonale nemožný zločin, ke kterému došlo ve venkovském kostele s hodně temnou historií.
Klíčové postavy v Na nože: Probuzení mrtvého muže jsou Benoit Blanc (Daniel Craig), Fr. Jud Duplenticy (Josh O'Connor), Martha Delacroix (Glenn Close).
Na nože: Probuzení mrtvého muže je hodnocen PG-13.
Na nože: Probuzení mrtvého muže je film s žánrem Komedie, Krimi, Drama.
Na nože: Probuzení mrtvého muže má hodnocení diváků 9.3 z 10.
Na nože: Probuzení mrtvého muže měl rozpočet 210 mil. US$.
Na nože: Probuzení mrtvého muže vydělal v kinech 4 mil. US$.