R
1999    1 h 40 mMysteriózní, Vědeckofantastický
7.029%64%7.1
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Na Apple TV
Zakoupit za $12.99Reklama
Je poklidná noc v Los Angeles roku 1937. Starší seriózní pán odchází z hotelového pokoje, nechává uvnitř spící mladé dívce nějaké peníze a u barmana písemný vzkaz. Poté se vrací domů ke své ženě. Pak se mu náhle podivně blýskne v očích a probere se v zajímavě vybavené laboratoři v roce 1999. Zmiňovaná možnost skoků mezi dvěma světy nevyplývá z vynálezu stroje času, jedná se pouze o velmi dokonale zhotovenou virtuální realitu, na jejíž realizaci se Hannon Fuller rozhodující měrou podílel. Jenže Fullera v jeho virtuálním světě někdo bez jediné stopy zavraždí. Z Fullerovy smrti je obviněn jeho mladý partner Douglas Hall, který musí přijít na to, co se stalo, dřív, než ho nepříjemně vlezlý detektiv McBain usvědčí a nechá zavřít.
Režie: Josef Rusnak
  • Craig BierkoDouglas Hall
  • Armin Mueller-StahlHannon Fuller
  • Gretchen MolJane Fuller
  • Vincent D'OnofrioWhitney
  • Dennis HaysbertDet. Larry McBain
  • Steven SchubDet. Zev Bernstein
  • Jeremy RobertsTom Jones
  • Rif HuttonJoe
  • Leon RippyJane's Lawyer
  • Janet MacLachlanEllen
  • Brad William HenkeCop
  • Burt BulosBellhop
  • Venessia ValentinoConcierge
  • Howard S. MillerChauffeur
  • Tia TexadaNatasha's Roommate
  • Shiri ApplebyBridget Manilla
  • Bob ClendeninBank Manager
  • Rachel WinfreeWoman Bank Customer
  • Meghan IveyChanteuse
  • Alison LohmanHoney Bear Girl
  • Crygina
    Crygina31. srpna 2026
    A precious gem of a film, it kept my attention and interest the whole way through. This is my best discovery in recent memory and easily earns a spot in the Permanent Collection. I don't know why we never saw more of these actors, Gretchen Mol is a total smoke show.
  • Peter Bickford
    Peter Bickford15. června 2026
    An ambitious, but ultimately confusing mess of a movie. Is it a noir? A sci-fi epic? A romance? Err... Sorta... Kudos for at least trying. I guess, but it really didn't land. And it's perhaps most notable for guessing what 2024 Los Angeles would look like in the most spectacularly incorrect way ever.
  • Daniel Gustavsson
    Daniel Gustavsson12. října 2024
    It has its bad moments, especially the acting sometimes. But the atmosphere and story is so great that it doesn't matter.
  • tristeele
    tristeele5. března 2026
    Don't let the bad reviews by critics fool you. This is a KILLER sci-fi film. Go in as spoiler free as possible. This film should get another look from people. Ahead of its time and released around the same time as The Matrix and Dark City...
  • Eniga Ahiante
    Eniga Ahiante13. prosince 2025
    Brilliant scheme. The pieces all fall in place towards the end
  • The Architecture of the Voluntary Abyss: The Map of "The Thirteenth Floor"

    The year 1999 enshrined the peak of ontological prospecting in cinema. While several works projected the image of an external oppressive system enslaving humanity, The Thirteenth Floor dives into an even darker layer of our decline: the simulacrum built by our own hands. ​The prophecy stamped on the movie's newspaper—June 21, 2024—is no mere aesthetic whim. The work marked on the calendar the exact threshold where technology, hyperconnectivity, and our crisis of meaning would reach their boiling point. The tragedy exposed here is not that of an artificial intelligence usurping control, but of voluntary anesthesia. The film reveals a society that chose, on its own, to descend the floors of the simulation and lock the doors from the inside, preferring the comfort of a digitally choreographed world over dealing with the desert of the real. ​In this labyrinth of worlds within worlds, the ultimate target of degradation is the nefesh itself—the vital and divine breath, our non-negotiable essence. When the human being is reduced to a mere creator and consumer of simulations, they corrupt the ability to forge authentic experiences. Life loses its moral and spiritual ballast, transforming into lines of code and interchangeable data. ​For those who carry the burden of lucidity, The Thirteenth Floor acts as a brutal diagnosis. The definitive danger of our era is not being imprisoned by force, but becoming so accustomed to the comfort of the unreal that we forget on which floor authentic life happens. The only path of resistance is the refusal of escapism: planting our feet in objective reality and ensuring that clear perception and the genuine breath of existence are the true legacy delivered to the next generation.

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