Do posledního dechu

Režie: Craig Gillespie
PG-13
2016    1 h 57 mDrama, Action
6.764%66%6.6
Sledovat na Disney+
Na Disney+
Sponzorováno
Hrdinský akční thriller vypráví pozoruhodný příběh nejodvážnější plavby malého záchranného člunu v historii pobřežní stráže. Novou Anglii zasáhla 18. února 1952 rozsáhlá bouře. Města na východním pobřeží byla bičována vlnami a bouře ničila vše, včetně lodi SS Pendleton, mířící do Bostonu. Ta byla doslova roztržena vedví a ve svém potápějícím trupu uvěznila více než 30 námořníků. Zástupce hlavního strojníka Ray Sybert si jakožto nejvýše postavený lodní důstojník na palubě záhy uvědomuje, že je jen na něm, aby se ujal velení nad vystrašenou posádkou, a přiměl ji k tomu aby její členové zapomněli na své neshory a společnými silami udrželi loď na hladině během jedné z nejhorších bouří, jaké kdy východní pobřeží USA zasáhly.
  • Chris PineBernie Webber
  • Casey AffleckRay Sybert
  • Ben FosterRichard Livesey
  • Eric BanaDaniel Cluff
  • Holliday GraingerMiriam Webber
  • John OrtizWallace Quirey
  • Kyle GallnerAndy Fitzgerald
  • John MagaroErvin Maske
  • Graham McTavishFrank Fauteux
  • Michael Raymond-JamesD.A. Brown
  • Beau KnappMel Gouthro
  • Josh StewartTchuda Southerland
  • Abraham BenrubiGeorge 'Tiny' Myers
  • Keiynan LonsdaleEldon Hanan
  • Rachel BrosnahanBea Hansen
  • Benjamin KoldykeDonald Bangs
  • Matthew MaherCarl Nickerson
  • Jesse GabbardDomingo Garcia
  • Alexander CookJohn Stello
  • Danny ConnellyDave Ryder
  • thomasrogers75318. července 2025
    I get on any boat if Casey Affleck is on it
  • Lincoln and Blake Frank27. února 2025
    Good movie! Ocean is a scary place
  • Shaydeknight21. března 2026
    The Finest Hours feels like a throwback to an earlier kind of studio filmmaking. It recalls the period when Walt Disney Productions regularly produced earnest live-action adventure films aimed at families, stories built around courage, decency, and competence rather than irony or spectacle. The film’s tone is straightforward and sincere, presenting bravery and duty without cynicism. That alone gives it a slightly old-fashioned appeal. Chris Pine does solid character work as the quiet, hesitant Coast Guard coxswain forced into leadership. His accent work is notably careful, and the performance leans into restraint rather than heroics. Holliday Grainger plays the romantic counterpart with a period-appropriate balance. She is outspoken and strong-willed, but the film keeps her grounded in the social limits of the 1950s. That choice avoids the common mistake of writing a modern character in period costume, and the result feels more authentic. The parallel storyline aboard the damaged tanker, led by Casey Affleck, is equally effective. The crew interactions feel lived-in, and the confined environment helps create a convincing sense of maritime procedure. Much of the film’s strength comes from this procedural focus. The rescue is treated as a technical and logistical challenge, and the tension grows from watching competent people attempt something extremely difficult rather than from artificial drama. Visually, the effects are strong precisely because they are restrained. The CGI supports the storm and the scale of the disaster without calling attention to itself. It integrates into the environment instead of dominating it, which helps preserve the film’s grounded tone. The score follows a similar approach, using traditional orchestral swells to underline heroism and danger without doing anything particularly distinctive. Character development is somewhat thin, but that feels partly intentional. The real centre of the film is the situation itself, the mechanics of the rescue from both perspectives. The narrative prioritizes process over personal arcs, which may limit emotional depth but strengthens immersion. In spirit, it recalls earlier Disney adventure films such as Davy Crockett, King of the Wild Frontier, Treasure Island, or The Island at the Top of the World. Not in story, but in tone. Earnest, family-friendly adventure built around bravery, a moral imperative, and the belief that ordinary people can rise to extraordinary moments.
  • munk8889. ledna 2026
    Good movie to be your "mid" gauge. A 6/10. Not bad. Not something I'd rush to watch again. It's funny that Bana and Pine did Kirk and Nero for the new Star Trek and were in this one as well.

Sledovat videa Do posledního dechu

  • The Finest Hours
    The Finest HoursTrailer
  • The Finest Hours (Trailer 1)
    The Finest Hours (Trailer 1)Trailer
  • Brotherhood
    BrotherhoodZe zákulisí
  • Mel Gouthro On The Storm
    Mel Gouthro On The StormZe zákulisí
  • Craig Gillespie On The Story
    Craig Gillespie On The StoryZe zákulisí
  • Andy Fitzgerald On Bernie Webber
    Andy Fitzgerald On Bernie WebberZe zákulisí
  • Michael Condon On Seeing The Sets
    Michael Condon On Seeing The SetsZe zákulisí
  • Eric Bana On What Excited Him About The Film
    Eric Bana On What Excited Him About The FilmZe zákulisí
  • Ben Foster On What Attracted Him To The Project
    Ben Foster On What Attracted Him To The ProjectZe zákulisí
  • Casey Affleck on How He Got Involved In The Film
    Casey Affleck on How He Got Involved In The FilmZe zákulisí
  • Beau Knapp On What Interested Him About The Story
    Beau Knapp On What Interested Him About The StoryZe zákulisí
  • Chris Pine On The Film Being Based On True Events
    Chris Pine On The Film Being Based On True EventsZe zákulisí
  • John Magaro On What Excited Him About The Project
    John Magaro On What Excited Him About The ProjectZe zákulisí
  • Dorothy Aufiero On What Attracted Her To The Story
    Dorothy Aufiero On What Attracted Her To The StoryZe zákulisí
  • Kyle Gallner On What Excited Him About The Project
    Kyle Gallner On What Excited Him About The ProjectZe zákulisí
  • Holliday Grainger On What Excited Her About The Film
    Holliday Grainger On What Excited Her About The FilmZe zákulisí
  • Jim Whitaker On Hope Being The Main Theme Of The Film
    Jim Whitaker On Hope Being The Main Theme Of The FilmZe zákulisí
  • Cdr John W. Pruitt, III On The Filmmakers Approaching The Coast Guard
    Cdr John W. Pruitt, III On The Filmmakers Approaching The Coast GuardZe zákulisí

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