18+
2018    2 hThriller, Action
6.752%62%6.8
Bývalý člen speciální jednotky Robert McCall se vrací, aby bojoval za práva a spravedlnost pro ty, kteří už ztratili veškerou naději.
Režie: Antoine Fuqua
  • Denzel WashingtonRobert McCall / Producent
  • Pedro PascalDave York
  • Ashton SandersMiles Whittaker
  • Orson BeanSam Rubinstein
  • Bill PullmanBrian Plummer
  • Melissa LeoSusan Plummer
  • Jonathan ScarfeResnik
  • Sakina JaffreyFatima
  • Kazy TauginasAri
  • Garrett GoldenKovac
  • Adam KarstTurkish Father
  • Alican BarlasDining Car Porter
  • Rhys Olivia CoteNine Year Old Braelick Girl
  • Tamara HickeyGrace Braelick
  • Ken BaltinGrace Braelick's Lawyer
  • Colin AllenBookstore Nerd
  • Antoine de LartigueMr. Calbert (Belgian Husband)
  • Abigail MarloweJana Calbert (Belgian Wife)
  • Jim LoutzenhiserInterpol Agent
  • Alessandra Noelle RosenfeldLyft Girl (8 Yrs)
  • V1king11. května 2026
    Storyline is not as good as the first film, and overall it did not have the action paced theme as you'd expect.
  • Zokkiie2. března 2026
    I really wanted this one to hit like the first movie, but it just doesn’t have the same punch. Denzel Washington is still great — he brings that quiet intensity that makes the character work — but he can’t fully save a weak script. The story feels pretty thin and predictable, and it takes a while to get where it’s going. There’s some solid action, especially near the end, but not enough to make up for the slow, uneven build-up. It’s not terrible, just noticeably less sharp and less gripping than the original.
  • Karen Nakamura20. července 2025
    Best of the three Equalizers by far. There's actual character development, backstories, intrigue, and everything. There's senseless violence but not meaningless for the plot. And suspense, you actually wonder who the baddies are (at least for ten minutes) and what will happen for them (for less than five). Denzel at his best. Lots of good one-liners as well.
  • tacl517. února 2026
    Good movie, but 1 and 3 in the series are better.
  • maub1728. prosince 2025
    Excellent movie!
  • Shaydeknight20. prosince 2025
    The Equalizer 2 improves meaningfully on its predecessor by doing something sequels often fail to do: it clarifies purpose. Where the first film felt like a cautious introduction to Robert McCall as an idea, this second installment presents McCall as a fully realized identity. He is no longer testing the boundaries of vigilantism, he has embraced it. He is The Equalizer, and he is comfortable with who he is, what he does, and why he does it. McCall's commitment is reflected in the film's structure. The story leans unapologetically into episodic acts of justice. Smaller, often brutal interventions establish him as both protector and executioner for those without recourse. These scenes are not merely spectacle, they function as character reinforcement. McCall helps because that is his nature, not because he is searching for redemption or moral justification. He has found his purpose. The same evolution, to a lesser degree, can be observed in Antoine Fuqua's direction. The first Equalizer suffered from a visual flatness that made its more operatic violence feel oddly restrained. Here, Fuqua makes a noticeable effort to be more expressive with the camera. The film features more dynamic compositions, a willingness to linger on faces, and occasional stylistic flourishes that suggest a director more engaged with mood and rhythm. That said, Fuqua still indulges in an excess of establishing shots and cityscapes. While these moments can be defended as attempts to portray urban life in its many forms, perhaps even to suggest a city perpetually in need of McCall, they often feel overextended and narratively redundant. Fuqua may not yet be a particularly strong stylist but this is undeniably a step up from the first film. Denzel Washington, however, is the true engine of this sequel's success. His performance here is richer and more layered than before, aided by stronger writing and more meaningful character interactions. Nowhere is this more evident than in his scenes with Ashton Sanders, who delivers an excellent performance as a young man on a familiar, self-destructive path. While the "at-risk youth" archetype is well-worn, Sanders brings authenticity and vulnerability to the role, and Washington plays against him with restraint and quiet authority. Their relationship flirts with sentimentality and at times crosses into it, but this is not a flaw so much as a tonal choice. This kind of syrupy earnestness has a place in stories about mentorship and moral course correction, it's not an unwelcome choice. It is also worth underscoring an often-overlooked fact: Washington filmed this movie in his mid-sixties. What stands out is not merely how he looks, but how he moves and projects authority on screen. His physicality is economical, controlled, and confident, with no wasted motion. That kind of presence ages far better than raw athleticism. As with great stage actors, posture, timing, voice, and intent do most of the work. Washington has always leaned into discipline rather than youth-driven flash, which is precisely why Robert McCall remains credible. He does not attempt to appear younger than he is. Instead, he embodies an older man who is dangerous because of experience, patience, and absolute certainty. The violence lands harder because it feels inevitable rather than frantic. Pedro Pascal, not yet sporting his near-iconic moustache, also does strong work here. He brings restraint and credibility to the role, grounding the film’s moral tensions without tipping its hand too early. Supporting performances further elevate the film. Bill Pullman, in particular, delivers solid work in a role that benefits from his understated gravitas, another reminder of how underrated an actor he remains. The intersecting storylines are handled cleanly, keeping the film's pace steady and its emotional beats clear. On the technical side, production values are strong across the board. The sets are well-chosen and textured, grounding the film in lived-in environments rather than generic action backdrops. The score complements the tension without overwhelming it, present when needed, invisible when not. Editing is tight, especially during the action sequences, allowing the choreography and Washington's physical storytelling to carry the weight. Ultimately, The Equalizer 2 succeeds because it understands its protagonist and its audience. It does not aspire to be more profound than it is, nor does it apologize for its vigilantism. It is confident, purposeful, and occasionally indulgent, but always clear about what it wants to deliver. As part of the The Equalizer mythos, this film is decidedly an upgrade.
  • Ognjen Krejovic22. listopadu 2025
    Mastovite scena ubijanja, like :)
  • Bor Greiner2. listopadu 2025
    Denzel at his best. Ages better than Bond.
  • sgkf221. srpna 2025
    Thrilling build up with heart warming moments. Beautiful approach to hard thematics such as grief and betrayal. Definitely a must-watch!
  • mickerdoo13. srpna 2025
    Couldn't get into this one. Thought the first one was a little better.
  • Daevid Vincent6. července 2025
    Straight up bad ass MF. Loves it!
  • Kevin Ward2. července 2025
    I think I liked this slightly better than the first. Probably because Pedro Pascal makes everything a little better.

Sledovat videa Equalizer 2

  • The Equalizer 2
    The Equalizer 2Trailer
  • The Equalizer 2 (Trailer 2)
    The Equalizer 2 (Trailer 2)Trailer
  • The Equalizer 2 (Music Trailer)
    The Equalizer 2 (Music Trailer)Trailer
  • The Equalizer 2 (International Trailer)
    The Equalizer 2 (International Trailer)Trailer
  • The Equalizer 2: The Ultimate Mentor (Trailer)
    The Equalizer 2: The Ultimate Mentor (Trailer)Trailer
  • A Look Inside (Vignette)
    A Look Inside (Vignette)Ze zákulisí
  • Denzel Is Back (Vignette)
    Denzel Is Back (Vignette)Ze zákulisí
  • McCall & Miles (Vignette)
    McCall & Miles (Vignette)Ze zákulisí
  • The Audition (Behind The Scenes)
    The Audition (Behind The Scenes)Ze zákulisí
  • Ashton Sanders On What 'Miles' Represents
    Ashton Sanders On What 'Miles' RepresentsZe zákulisí
  • Antoine Fuqua On The Draw Of The Franchise
    Antoine Fuqua On The Draw Of The FranchiseZe zákulisí
  • Pedro Pascal On The Appeal Of The First Equalizer
    Pedro Pascal On The Appeal Of The First EqualizerZe zákulisí
  • Melissa Leo On How She Responded To The First Equalizer
    Melissa Leo On How She Responded To The First EqualizerZe zákulisí
  • Denzel Washington On The Mentoring Elements Of The Script
    Denzel Washington On The Mentoring Elements Of The ScriptZe zákulisí
  • Todd Black On 'McCall' Facing Off Against 'The Thomas Popes'
    Todd Black On 'McCall' Facing Off Against 'The Thomas Popes'Ze zákulisí
  • Richard Wenk On Why People Connected To The Character Of 'McCall'
    Richard Wenk On Why People Connected To The Character Of 'McCall'Ze zákulisí
  • Jason Blumenthal On Why Denzel Washington Is Interested In Making His First Sequel
    Jason Blumenthal On Why Denzel Washington Is Interested In Making His First SequelZe zákulisí
  • I'm An Artist
    I'm An ArtistScéna
  • Just Like You're Dead
    Just Like You're DeadScéna
  • I Went To Your Funeral
    I Went To Your FuneralScéna

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Equalizer 2 Trivia