15+
1992    1 h 52 mDrama, Krimi
7.295%78%6.8
Sledovat na Apple TV
Na Apple TV
Zakoupit za $4.99Reklama
Člen Irské republikánské armády Fergus se podílí na zajetí britského černošského vojáka Jodyho. Během tří dnů se s ním sblíží. Přesto je však svolný rukojmího zastřelit. Jenže vojáka při pokusu o útěk přejede britský obrněný vůz. Fergus vyhledá v Londýně Jodyho dívku Dil a zamiluje se do ní. IRA ho znovu vyhledá a on přijme účast na chystaném atentátu. Zároveň se snaží uchránit Dil před spolubojovníky...
Režie: Neil Jordan
  • Stephen ReaFergus
  • Miranda RichardsonJude
  • Jaye DavidsonDil
  • Forest WhitakerJody
  • Adrian DunbarMaguire
  • Breffni McKennaTinker
  • Joe SavinoEddie
  • Birdy SweeneyTommy
  • Andrée BernardJane
  • Jim BroadbentCol
  • Ralph BrownDave
  • Tony SlatteryDeveroux
  • Jack CarrFranknum
  • Josephine WhiteBar Performer 1
  • Shar CampbellBar Performer 2
  • Bryan ColemanJudge
  • Ray De-HaanSecurity Man 1
  • David CrionellySecurity Man 2
  • Charles MandracchiaBouncer (uncredited)
  • Neil JordanRežisér / Scénárista
  • stuhannaford
    stuhannaford30. července 2025
    More than a little ahead of its time. Unfortunately shows it’s age a little, especially the opening part of the story, which has an almost romantic feel, acting and score, which flies in the face of the subject matter and tone of the time. Whitaker is less than convincing in his role, which is unusual, but this simply sets the scene for the main story. Sadly, the twist is well known, so the surprise element is unlikely to hit with most newer viewers. However, that aside, it’s incredibly well acted and believable. Had it been made today, it may well have been over done from a social point of view, and so the turmoil and questions Fergus faces feel much more honest than a modern script might offer. Quite a debut, and incredible to think only two more films appeared on Davidson’s resume following this.
  • fhe82
    fhe829. srpna 2026
    The Crying Game is one of those movies I kind of liked, but I am still not completely sure what I think about it. The acting is very, very good. What really stood out to me was the way the camera moves into these extreme close-ups whenever things become tense or emotionally uncomfortable. It makes the performances feel more intimate and almost invasive, like you are trapped in the room with them. As for Dil, there was nothing particularly surprising to me about the reveal. What interested me more was why the movie made her identity such a central device in the first place. By the end, though, I think I understood it differently. Maybe the whole movie was really about Dil: lonely, vulnerable, looking for someone who would stay. Everything else—the politics, violence, guilt, loyalty—was simply the world spinning around her. Very good performances. Strange movie. Still thinking about it.

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