Shocker

Režie: Wes Craven

R

27. října 1989 1 h 51 m Kina: 16,6 mil. US$Horor, Thriller,

5.530%32%5.6

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Ani smrt v elektrickém křesle nezabrání démonickému vrahovi Horace Pinkerovi (Mitch Pileggi) v návratu a plánování pomsty. Jeho obětí by se měla stát rodina policisty Dona Parkera (Michael Murphy (1)), zvláště pak jeho adoptivní syn Jonathan (Peter Berg). Právě Jonathanův prorocký sen vede k Pinkerově odhalení a současně i k šokujícímu poznání svého vlastního původu a děsivé minulosti...

Kde se dívat na Shocker

Obsazení Shocker

Michael MurphyLt. Don Parker
Mitch PileggiHorace Pinker
Peter BergJonathan Parker
Camille CooperAlison
Sam ScarberCooper
Richard BrooksRhino
Vincent GuastaferroPastori
Ted RaimiPac Man
Heather LangenkampVictim
John TeshTV Newscaster
Christopher KriesaGuard #2
Timothy LearyTV Evangelist
Wes CravenMan Neighbor / Režisér / Scénárista / Výkonný producent
Bruce WagnerExecutioner
Ernie LivelyWarden
Lindsay ParkerLittle Girl
Kane RobertsRoad Worker
Michael C. MatthewsEvil Mouth
Brent SpinerTalk Show Guest (uncredited)
Jessica CravenCounterperson
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Hodnocení a recenze Shocker

Patrick Wai6. dubna 2026
This has big peak-’80s “we have an idea, several wigs, and absolutely no brakes” energy. The acting is gloriously bad, the plot is predictable until it suddenly becomes confusing, and the whole thing feels like the kind of movie I probably would’ve thought ruled in high school after two Mountain Dews and no standards. The dream-stalking stuff inevitably brings A Nightmare on Elm Street to mind — which makes sense, since Wes Craven directed both — but this feels like the bargain-bin, louder, sillier cousin. The old-school effects are charming in a dusty VHS way, but very dated, and the movie is a solid 20 minutes too long. That said, I absolutely loved the lunatic gimmick of jumping into the TV and bouncing through different shows; it’s the one part where the movie becomes the kind of deranged nonsense it should’ve been all along. Critics weren’t exactly kind to it either: Shocker sits at 30% on Rotten Tomatoes, and even the consensus is basically “cool premise, lame result,” which feels about right. In the end, it’s a messy, overcooked, half-dumb, half-delightful horror relic: too long, too goofy, and too confused to be genuinely good — but just weird enough to stay mildly entertaining.

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