R
2010    82 mKomedie, Horor
5.766%46%5.9
A homicidal car tire, discovering it has destructive psionic power, sets its sights on a desert town once a mysterious woman becomes its obsession.
Režie: Quentin Dupieux

Kde se dívat na Rubber

  • Thomas F. DuffyXavier
  • David BoweM. Hughes
  • Stephen SpinellaChad
  • Roxane MesquidaSheila
  • Jack PlotnickAccountant
  • Wings HauserMan in Wheelchair
  • Ethan CohnFilm Buff Ethan
  • Charley KoontzFilm Buff Charley
  • Daniel QuinnDad
  • Devin BrochuSon
  • Hayley HolmesTeenager Cindy
  • Haley RammTeenager Fiona
  • Cecelia AntoinetteBlack Woman
  • Remy ThorneZach
  • Tara Jean O'BrienCleaning Lady / Production Coordinator
  • Pete DiceccoLuke
  • James ParksDoug
  • Courtenay TaylorDenise
  • Blake RobbinsEric
  • Gaspard AugéHitchhiker / Hudební skladatel
  • Tyler Durden
    Tyler Durden21. května 2026
    Is mid.
  • @F_ReK.i5--
    @F_ReK.i5--před 2 dny
    I watch this after watching Mother! and it is a million times better. The symbolism and metaphors are outstanding. For example, the bi-directional tire has a direction; it needed to turn around to face the police car following it even though it is not a uni-directional tire. That is so deep. Or the people watching from the hill judging the arguing amongst themselves. The film is just brilliant.
  • Brandon J Hicks
    Brandon J Hickspřed 7 dny
    I have awesome memories of renting this back in the day..
  • James Pearson
    James Pearson3. října 2026
    Very unique, not what I expected, fun time
  • Katreina Edelweiss
    Katreina Edelweiss7. února 2026
    A joke that goes on for far too long. Funny if you're high.
  • makdelart
    makdelart12. listopadu 2025
    Pure nonsense, surrealism in its purest form, a parody of action cinema, a critique of cinema and human behaviour, with excellent cinematography and music.
  • James Saenz
    James Saenz1. října 2025
    surprisingly nice compositions and an intriguing commentary on the relationship between audience expectations and the purpose of art, both of which aren’t enough to save it from being a bit of a bore. ironically, with “no reason” being the thematic core of the film, it left me with no reason to come back to it.

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