Děj snímku se odehrává ve Vatikánu, kde se má právě odehrát jedna z nejtajnějších a nejstarších událostí na světě – volba nového papeže. Tou je pověřen Kardinál Lawrence, který se však ocitá v centru spiknutí, které může otřást samotnými základy církve.
Kde se dívat na Konkláve
- alexamaematias8. dubna 2026Nice film Just sharing Die to Sins, Live for Righteousness (2:24b) Jesus took up his cross and died in order to give life. For us, taking up our cross consists of dying to our old selfish, sinful way of life and then following Jesus wherever he leads us, in Peter's words: "that we might die to sins and live for righteousness" (2:24). From:Jesus Walk Meaning we are not nmrighteous but sinner,only through Christ righteousness we can go to Heaven..
- Varun22. prosince 2024I am an absolute sucker for movies that involve faith and politics and this one is a banger! The power games are very interesting to watch unfold, and they aren’t just detached events but they go hand in hand with the characters’ own development, mainly Lawrence who is played superbly by Ralph Fiennes. His performance perfectly captures each moment of trepidation and the slow hike to moral fortitude. I really loved some of the speeches too, it definitely makes you confront your own faith and what behaviours it invokes in you. The weak point of the movie is that a few events felt a bit improbable and manufactured to take the plot in a different direction, it didn’t feel fully earned and organic but I still don’t think it detracts from the overarching story. And I have to give huge props to the crucial score, it absolutely delivers in enhancing the tension, conundrums and conspiratorial vibes. The cinematography is also great, with some really good framing and even the blander colour palettes of the vestments and environments have a nice contrast that shines through. A lot of the twists and revelations were fantastic and I was thrilled with every second of this movie.
- CrossCutCritic1. května 2025Power, Secrecy, and the God Who Doesn’t Wait for Perfect Men --- There is something both ancient and absurd about watching grown men in red robes pace through marble corridors, whispering about salvation and strategy in the same breath. Conclave knows this. It doesn’t try to fix the contradiction. It invites you into it. What it doesn’t quite know — or perhaps dares not say — is that while these men talk about God, God is already moving among them. Quietly. Reluctantly. And, as always, unexpectedly. --- The plot is tight: The pope is dead. The world waits. The cardinals gather. And as the smoke rises and secrets surface, the weight of eternity hangs over men who, despite the liturgy and Latin, seem mostly like… us. Tired. Proud. Wounded. Protective of their legacies. At the center stands Ralph Fiennes’s Cardinal Thomas Lawrence — a man caught between obedience and truth, between the institution he serves and the God he fears might not be impressed by the rituals performed in His name. --- The film plays its archetypes broadly: The liberals are open-hearted and humane. The conservatives are cloaked in menace and shadow. It’s not new. It’s not subtle. And to be honest, it’s a little tired. But something more interesting happens when you stop measuring which side wins. You start to notice who breaks. Not politically. Spiritually. --- Because here’s what Conclave quietly understands — perhaps even in spite of itself: > God is not waiting for the right ideology. He is waiting for the moment a man realizes he can no longer lie to himself. That moment — and it does come — is the film’s real climax. It doesn’t happen at the altar. It doesn’t involve a vote. It happens in a private room, behind closed doors, when one man risks everything not to win, but to be clean. To be faithful. To stand naked before God and say: I didn’t protect my career. I protected the truth. That is the shape of the cross. Hidden. Costly. And unbearably honest. --- Conclave is a drama of whispered alliances, shifting loyalties, and papal chess. But beneath the intrigue lies something older than the Church and more disruptive than politics: A God who still chooses the weak. Who still confounds the wise. Who still enters locked rooms, not to endorse anyone’s strategy, but to breathe on their wounds and say, Peace. --- If you’re waiting for a movie to restore your faith in the Church, this isn’t it. But if you’ve ever wondered whether God still shows up in broken places, among imperfect men, and calls them — still — to speak truth at great cost? Then maybe Conclave is closer to resurrection than it wants to admit. *** If Conclave moved you, here are more reviews that explore conscience, grace, and hidden courage: Small Things Like These — Quiet obedience in the face of institutional silence. The Tree of Life — A symphonic meditation on suffering, beauty, and the voice of God. Greyhound — A wartime psalm of prayer, command, and mercy on the sea. WarGames — A teen thriller turned parable of restraint, logic, and second chances. Kapo — A lost girl, a death camp, and the God who hunts His children through hell to bring them home. Or if you're open to stories where the cross cuts deeper: The Gorge — Love with shrapnel still lodged in the soul. The Safety of Objects — Domestic life unraveling into lament and quiet epiphany. Brave the Dark — One boy. One teacher. One rescue, paid for in scars. All under Crosscutcritic in Plex.
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Konkláve byl vydán 25. října 2024.
Konkláve byl režírován Edward Berger.
Konkláve je dlouhý 2 h.
Konkláve byl produkován Tessa Ross, Alice Dawson, Robert Harris, Juliette Howell, Michael Jackman.
Děj snímku se odehrává ve Vatikánu, kde se má právě odehrát jedna z nejtajnějších a nejstarších událostí na světě – volba nového papeže. Tou je pověřen Kardinál Lawrence, který se však ocitá v centru spiknutí, které může otřást samotnými základy církve.
Klíčové postavy v Konkláve jsou Lawrence (Ralph Fiennes), Bellini (Stanley Tucci), Tremblay (John Lithgow).
Konkláve je hodnocen 12+.
Konkláve je film s žánrem Thriller, Drama, Mysteriózní.
Konkláve má hodnocení diváků 8.6 z 10.
Konkláve měl rozpočet 20 mil. US$.
Konkláve vydělal v kinech 115,7 mil. US$.