Backrooms

Režie: Kane Parsons
15+
2026    1 h 51 mHoror, Vědeckofantastický
7.188%74%6.7
Psychoterapeut se vydává na nebezpečnou cestu do podivné, nadpozemské dimenze, aby našla svého pohřešovaného pacienta. V prostoru, kde přestávají platit zákony reality a každé rozhodnutí může mít fatální následky, je nucen čelit nejen znepokojivým jevům kolem sebe, ale i vlastním obavám a pochybnostem. S každým krokem hlouběji do neznáma se hranice mezi skutečností a iluzí stírá a záchrana pacienta začíná být čím dál nejistější.

Kde se dívat na Backrooms

  • Chiwetel EjioforClark
  • Renate ReinsveMary
  • Mark DuplassPhil
  • Finn BennettBobby
  • Lukita MaxwellKat
  • Avan JogiaNaren Warne
  • Robert BobroczkyiPirate Clark
  • Ember AmbroseYoung Mary
  • Krista KosonenNora
  • Philip GrangerMeterman
  • Katharine IsabelleRobin
  • Peter NewBig Wayne
  • Sarah HaywardNurse
  • Natalie MoonPhil's Wife
  • Calix FraserPhil's Child
  • Sawyer FraserPhil's Child
  • Patrick BaynhamBearded Still Life
  • Rhiannon RobertsRedheaded Still Life
  • Dana MahmoodArchibald Leland Sutter Still Life
  • Matthew Patrick SavageHomeless Man
  • Mike Shulmanpřed 23 h
    How do you review a movie like this? A movie that really plays by its own rules and doesn't give you much help understanding what's going on. It's not easy... fortunately I've been a fan of the YouTube shorts so I had a little bit of an idea what to expect. The way they expanded the shorts with a story that actually made the Backrooms into a creepy, slow burn full length horror film was great. You could tell a lot of care was taken with the script. The acting from Chiwetel Ejiofor and Renate Reinsve was great. There was more dialogue than I expected and the 2 of them made this film work. That said the main attaction of Backrooms is the well... the Backrooms. And the set pieces are all extremley creepy and disconcerting. Yet there's a familiarity about them for anyone who grew up in the 90s. The feeling that nostalgia mixed with horror gives you is... I don't even know how to describe it but it enhances the experience greatly. I won't give any spoilers but lets just say this movie only starts to explore the possibilities and the sequel is already being fast tracked. Backrooms 8/10
  • John Dpřed 1 dnem
    Coming from the mind of Kane Parsons, this was an amazing movie; it did all his YouTube stories justice and provided a one-of-a-kind experience. It left me wanting more. The music and set of this movie really blew me out of the water, and I would recommend this to anyone who is into mind-bending horror; this is the movie for you, and my movie of the year.
  • The_Gay_Monster_In_Your_Closet3. dubna 2026
    Save me a seat at the theaters!!
  • Alex Aldxpřed 5 dny
    THE BEST EVERRR
  • Jeovanni Acevedopřed 1 dnem
    Excellent Backrooms adaptation! The eerie atmosphere, realistic visuals, and suspenseful storytelling made it feel like I was actually trapped in the Backrooms. Highly recommended.
  • Ristea Andreipřed 1 dnem
    Kind of boring but the end was good i think the 2 one will get 5 stars from me
  • levi4201před 1 dnem
    Scared me real good. I can’t believe offices are real
  • Aarav Sethipřed 5 dny
    Why cant i watch it
  • Noah negronpřed 5 dny
    peak so good on my big dih no cap on God bro
  • Hipster ZOMBIEpřed 2 dny
    What began as an anonymous creepypasta on 4chan has now evolved into a full blown feature film with A24’s unsettling adaptation of The Backrooms. Directed by series creator Kane Parsons, the film expands his viral web mythology into a suffocating psychological horror experience that feels less like a traditional movie and more like a waking fever dream you can’t escape. For the uninitiated, The Backrooms is essentially that recurring nightmare where the hallway keeps stretching farther away no matter how fast you walk, blended with the sterile emptiness of abandoned office spaces humming under fluorescent lights. Random junk litters endless yellow corridors, reality folds in on itself, and there’s seemingly no exit. Chiwetel Ejiofor delivers a quietly devastating performance as Clark, a man already trapped in the soul-crushing monotony of his own life before stumbling through a multidimensional doorway into the ominous labyrinth known as the Backrooms. Saying much more would spoil the film’s carefully layered mysteries. Renate Reinsve is equally compelling as Mary, Clark’s therapist, whose own fractured emotional state may be more connected to the Backrooms than the film initially lets on. Rather than relying on cheap jump scares, Parsons leans heavily into atmosphere, existential dread, and the terror of isolation. The result is hypnotic, unnerving, and deeply ambiguous. Its open-ended finale is certain to spark endless debate, especially among longtime fans of the mythos. Some horror audiences may find its slow-burn psychological approach frustrating, particularly those expecting a more conventional scare fest. But for viewers willing to surrender to its strange rhythms and oppressive mood, The Backrooms is one of the most haunting and uniquely unsettling horror films A24 has released in a while.
  • SoranIsOn25. února 2026
    We be seated.
  • misael.97před 4 dny
    The cinematography is absolutely gorgeous and stunning. The plot is like trying to explain a dog to someone who doesn't know what a dog is and having them draw it out. Incredible work, and incredible vision.
  • Chaserray79před 6 dny
    Would have been a tad better if the monster was the og one from the series but good movie.
  • Ashna Irfanpřed 2 dny
    I WAS SCARED TO TAKE A BREATH DIDNT WANTED TO MOVE MY HEAD. LWK THE SCARIEST MOVIE IVE EVER SEEN IN MY ENTIRE LIFE
  • James Saenzpřed 3 dny
    i’m pretty sure the credits are incorrect here, as renate reinsve is credited as “dr. mary kline” when she should be credited as “mother.” the degradation of memory, the failure of recollection. at what point is a memory no longer a memory, stripped of authenticity and deconstructed into vagueness and dreamlike fugue? the nightmare is in the artifice, and the loss of clarity. parsons taps into the collective subconscious, funneling the generalized fear of the uncanny valley of the backrooms. the complex exists as this non-euclidean liminal space that’s bursting with amalgamations of approximations, and this eerie familiarity is so unsettling and is where the horror really shines in the film; the second found footage segment effectively blends this uncanniness with traditional horror tropes and made for a genuinely harrowing experience. abstraction of reality creates this sickening disorientation within time and space and i believe this allegory for unreliable memory is the strongest feature of the concept of the backrooms, so it’s kind of disappointing when the climax of the film culminates in a bog standard monster chase throughout the complex. sure, the still life clark works conceptually as a manifestation of his insecurities, pathetically lashing out at anything within reach, but it also drains a lot of the appeal of this style of horror; even though the still life is not representative of the complex as a whole, it does feel like it reduces the core narrative to a man vs. monster conflict that deflates the tension once the “big bad” is revealed. i still really enjoyed my time and parsons clearly has creative talent, and i’m absolutely sold on whatever projects he attaches himself to moving forward. besides, that final shot really affected me and i know i’ll be thinking about it for days to come.

Sledovat videa Backrooms

  • Backrooms
    BackroomsTrailer
  • Backrooms (Teaser Trailer 1)
    Backrooms (Teaser Trailer 1)Trailer

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