WC
Wilkie Cooper
Additional Credits
Born October 19, 1911Died December 15, 2001 (90 years)
Wilkie Cooper Filmography
| 1971 | Please Sir! · as Director Of Photography |
| 1969 | Land Raiders · as Director Of Photography |
| 1969 | Run Wild, Run Free · as Director Of Photography |
| 1968 | The Ugliest Girl in Town (TV Series) · as Cinematographer |
| 1968 | Hammerhead · as Director Of Photography |
| 1966 | One Million Years B.C. · as Director Of Photography |
| 1965 | Two Left Feet · as Director Of Photography |
| 1964 | East of Sudan · as Director Of Photography |
| 1964 | First Men in the Moon · as Director Of Photography |
| 1964 | The Winston Affair · as Director Of Photography |
| 1963 | Jason and the Argonauts · as Director Of Photography |
| 1963 | Siege of the Saxons · as Cinematographer |
| 1963 | The Mouse on the Moon · as Director Of Photography |
| 1963 | Maniac · as Director Of Photography |
| 1962 | The Amorous Mr. Prawn · as Director Of Photography |
| 1962 | The Valiant · as Cinematographer |
| 1961 | Mysterious Island · as Director Of Photography |
| 1961 | The Avengers (TV Series) · as Director Of Photography |
| 1960 | The 3 Worlds of Gulliver · as Director Of Photography |
| 1960 | I Aim at the Stars · as Cinematographer |
| 1959 | SOS Pacific · as Cinematographer |
| 1959 | Hot Money Girl · as Director Of Photography |
| 1959 | Web of Evidence · as Director Of Photography |
| 1959 | Subway in the Sky · as Director Of Photography |
| 1958 | The 7th Voyage of Sinbad · as Director Of Photography |
| 1958 | Desert Patrol · as Director Of Photography |
| 1958 | The Whole Truth · as Director Of Photography |
| 1957 | Paradise Lagoon · as Director Of Photography |
| 1957 | The Beasts of Marseilles · as Director Of Photography |
| 1957 | Seven Days from Now · as Director Of Photography |
| 1956 | It's a Wonderful World · as Director Of Photography |
| 1956 | Port Afrique · as Director Of Photography |
| 1956 | A Man on the Beach · as Cinematographer |
| 1955 | Postmark for Danger · as Director Of Photography |
| 1955 | Wee Geordie · as Director Of Photography |
| 1955 | The End of the Affair · as Director Of Photography |
| 1954 | Svengali · as Director Of Photography |
| 1954 | Dance Little Lady · as Director Of Photography |
| 1954 | What Every Woman Wants · as Cinematographer |
| 1954 | They Who Dare · as Director Of Photography |
| 1953 | The Adventures of Sadie · as Director Of Photography |
| 1953 | Sea Devils · as Director Of Photography |
| 1952 | The Pickwick Papers · as Director Of Photography |
| 1952 | Time, Gentlemen, Please! · as Director Of Photography |
| 1952 | The Hundred Hour Hunt · as Director Of Photography |
| 1951 | Bikini Baby · as Director Of Photography |
| 1951 | The Madame Gambles · as Director Of Photography |
| 1951 | The Long Dark Hall · as Director Of Photography |
| 1951 | Wall of Death · as Director Of Photography |
| 1950 | Stage Fright · as Director Of Photography |
| 1949 | The Hasty Heart · as Director Of Photography |
| 1949 | Landfall · as Director Of Photography |
| 1949 | Silent Dust · as Director Of Photography |
| 1949 | Man on the Run · as Director Of Photography |
| 1948 | Dulcimer Street · as Director Of Photography |
| 1948 | Call of the Blood · as Cinematographer |
| 1947 | Mine Own Executioner · as Director Of Photography |
| 1947 | Captain Boycott · as Director Of Photography |
| 1946 | Green for Danger · as Director Of Photography |
| 1946 | I See a Dark Stranger · as Director Of Photography |
| 1945 | Notorious Gentleman · as Director Of Photography |
| 1944 | The Halfway House · as Director Of Photography |
| 1944 | While Nero Fiddled · as Director Of Photography |
| 1943 | My Learned Friend · as Director Of Photography |
| 1943 | Underground Guerrillas · as Director Of Photography |
| 1942 | Went the Day Well? · as Director Of Photography |
| 1942 | Somewhere in France · as Director Of Photography |
| 1942 | The Big Blockade · as Director Of Photography |
| 1941 | Ships with Wings · as Cinematographer |
| 1931 | The Conquest of the Air · as Cinematographer |