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Robert De Grasse
Additional Credits
Born February 9, 1900Died January 28, 1971 (70 years)
From Wikipedia, the free encyclopedia
Robert De Grasse (February 9, 1900 - January 28, 1971) was an American cinematographer.
Born in Maplewood, New Jersey where his family was working in the fledgling movie industry, he was the nephew of film actor Sam De Grasse. Robert De Grasse began his career as an assistant cameraman then moved on to become a full-time cinematographer by the time he was 21 years old.
He worked on over 100 movies including Vigil in the Night (1940), The Leopard Man (1943) and The Body Snatcher (1945) as well as classic television shows such as I Love Lucy and The Dick Van Dyke Show.
In 1939, he was nominated for the Academy Award for Best Cinematography for his work on the film Vivacious Lady.
Robert De Grasse died in 1971 in Newport Beach, California.
Robert De Grasse (February 9, 1900 - January 28, 1971) was an American cinematographer.
Born in Maplewood, New Jersey where his family was working in the fledgling movie industry, he was the nephew of film actor Sam De Grasse. Robert De Grasse began his career as an assistant cameraman then moved on to become a full-time cinematographer by the time he was 21 years old.
He worked on over 100 movies including Vigil in the Night (1940), The Leopard Man (1943) and The Body Snatcher (1945) as well as classic television shows such as I Love Lucy and The Dick Van Dyke Show.
In 1939, he was nominated for the Academy Award for Best Cinematography for his work on the film Vivacious Lady.
Robert De Grasse died in 1971 in Newport Beach, California.
Robert De Grasse Filmography
| 1969 | The Governor & J.J. (TV Series) · as Cinematographer |
| 1967 | The Mothers-In-Law (TV Series) · as Cinematographer |
| 1967 | He & She (TV Series) · as Cinematographer |
| 1967 | Good Morning, World (TV Series) · as Cinematographer |
| 1966 | Hey, Landlord (TV Series) · as Cinematographer |
| 1963 | The Bill Dana Show (TV Series) · as Cinematographer |
| 1962 | I'm Dickens... He's Fenster (TV Series) · as Cinematographer |
| 1961 | The Dick Van Dyke Show (TV Series) · as Cinematographer |
| 1961 | Kraft Mystery Theatre (TV Series) · as Cinematographer |
| 1960 | Angel (1960) (TV Series) · as Cinematographer |
| 1960 | The Jim Backus Show (TV Series) · as Cinematographer |
| 1958 | Westinghouse Desilu Playhouse (TV Series) · as Cinematographer |
| 1957 | The Real McCoys (TV Series) · as Cinematographer |
| 1957 | The Eve Arden Show (TV Series) · as Cinematographer |
| 1954 | The Jimmy Durante Show (TV Series) · as Cinematographer |
| 1954 | Passport to Danger (TV Series) · as Cinematographer |
| 1953 | Make Room for Daddy (TV Series) · as Cinematographer |
| 1952 | Our Miss Brooks (TV Series) · as Cinematographer |
| 1952 | Four Star Playhouse (TV Series) · as Cinematographer |
| 1951 | Chicago Calling · as Director Of Photography |
| 1951 | Double Dynamite · as Director Of Photography |
| 1951 | Fast and Foolish · as Cinematographer |
| 1951 | I Love Lucy (TV Series) · as Cinematographer |
| 1951 | The Red Skelton Show (TV Series) · as Cinematographer |
| 1951 | The Amos 'n Andy Show (TV Series) · as Cinematographer |
| 1951 | The First Legion · as Director Of Photography |
| 1950 | The Jack Benny Program (TV Series) · as Cinematographer |
| 1950 | The Men · as Director Of Photography |
| 1949 | A Dangerous Profession · as Director Of Photography |
| 1949 | A Kiss for Corliss · as Director Of Photography |
| 1949 | The Clay Pigeon · as Director Of Photography |
| 1949 | Home of the Brave · as Director Of Photography |
| 1949 | Make Mine Laughs · as Director Of Photography |
| 1949 | Follow Me Quietly · as Director Of Photography |
| 1949 | The Window · as Director Of Photography |
| 1949 | Adventure in Baltimore · as Director Of Photography |
| 1948 | The Judge Steps Out · as Director Of Photography |
| 1948 | Bodyguard · as Director Of Photography |
| 1948 | The Miracle of the Bells · as Director Of Photography |
| 1947 | The Bachelor and the Bobby-Soxer · as Director Of Photography |
| 1947 | Born to Kill · as Director Of Photography |
| 1946 | Genius at Work · as Director Of Photography |
| 1946 | Crack-Up · as Director Of Photography |
| 1946 | Badman's Territory · as Director Of Photography |
| 1946 | Riverboat Rhythm · as Director Of Photography |
| 1945 | George White's Scandals · as Director Of Photography |
| 1945 | The House I Live In · as Director Of Photography |
| 1945 | The Body Snatcher · as Director Of Photography |
| 1945 | Flame of Barbary Coast · as Director Of Photography |
| 1944 | Show Business · as Director Of Photography |
| 1944 | Tall in the Saddle · as Director Of Photography |
| 1944 | Step Lively · as Director Of Photography |
| 1943 | Higher and Higher · as Director Of Photography |
| 1943 | The Iron Major · as Director Of Photography |
| 1943 | The Leopard Man · as Director Of Photography |
| 1943 | Lady of Burlesque · as Director Of Photography |
| 1943 | Forever and a Day · as Director Of Photography |
| 1942 | Pittsburgh · as Director Of Photography |
| 1942 | Seven Miles from Alcatraz · as Director Of Photography |
| 1942 | Seven Days' Leave · as Director Of Photography |
| 1942 | Highways by Night · as Cinematographer |
| 1942 | The Mayor of 44th Street · as Director Of Photography |
| 1942 | My Favorite Spy · as Director Of Photography |
| 1942 | A Date with the Falcon · as Director Of Photography |
| 1941 | Unexpected Uncle · as Director Of Photography |
| 1941 | Father Takes a Wife · as Director Of Photography |
| 1941 | Footlight Fever · as Director Of Photography |
| 1940 | Kitty Foyle · as Director Of Photography |
| 1940 | Lucky Partners · as Director Of Photography |
| 1940 | Vigil in the Night · as Director Of Photography |
| 1939 | Fifth Avenue Girl · as Director Of Photography |
| 1939 | Bachelor Mother · as Director Of Photography |
| 1939 | The Story of Vernon and Irene Castle · as Director Of Photography |
| 1938 | Carefree · as Director Of Photography |
| 1938 | Vivacious Lady · as Director Of Photography |
| 1938 | Having Wonderful Time · as Director Of Photography |
| 1937 | Stage Door · as Director Of Photography |
| 1937 | The Outcasts of Poker Flat · as Director Of Photography |
| 1937 | Quality Street · as Director Of Photography |
| 1936 | Wanted! Jane Turner · as Director Of Photography |
| 1936 | A Woman Rebels · as Director Of Photography |
| 1936 | M'Liss · as Director Of Photography |
| 1936 | The Witness Chair · as Cinematographer |
| 1936 | Love on a Bet · as Director Of Photography |
| 1936 | Chatterbox · as Director Of Photography |
| 1935 | Seven Keys to Baldpate · as Director Of Photography |
| 1935 | Freckles · as Cinematographer |
| 1935 | Alice Adams · as Director Of Photography |
| 1935 | Break of Hearts · as Director Of Photography |
| 1933 | Little Women · as Additional Director Of Photography |
| 1932 | The Sign of Four: Sherlock Holmes' Greatest Case · as Director Of Photography |
| 1932 | The Water Gipsies · as Director Of Photography |
| 1921 | Desperate Trails · as Cinematographer |





