FS
Fred Sersen
Additional Credits
Born February 24, 1890Died December 11, 1962 (72 years)
Fred Sersen was a Czechoslovak-American painter and cinema special effects artist working mainly at 20th Century Fox Studios from the 1930s to the 1950s with credits in over 200 movies. He won two Academy Awards for Best Effects, Special Effects (photographic), in 1940 for The Rains Came, and in 1944 for Crash Dive. An artificial lake created for the former film was named in his honor.
Fred Sersen Filmography
| 1956 | Around the World in 80 Days · as Visual Effects Supervisor |
| 1954 | 20,000 Leagues Under the Sea · as Visual Effects |
| 1954 | King Richard and the Crusaders · as Visual Effects |
| 1952 | Viva Zapata! · as Visual Effects |
| 1951 | Elopement · as Visual Effects |
| 1951 | Fixed Bayonets! · as Visual Effects |
| 1951 | Let's Make It Legal · as Visual Effects |
| 1951 | Love Nest · as Visual Effects |
| 1951 | The Secret of Convict Lake · as Visual Effects |
| 1951 | The Frogmen · as Visual Effects |
| 1951 | David and Bathsheba · as Visual Effects |
| 1951 | The House on Telegraph Hill · as Visual Effects |
| 1951 | Fourteen Hours · as Visual Effects |
| 1951 | On the Riviera · as Visual Effects |
| 1951 | Rawhide · as Visual Effects |
| 1951 | The 13th Letter · as Visual Effects |
| 1950 | Mister 880 · as Visual Effects |
| 1950 | Two Flags West · as Visual Effects |
| 1950 | The Gunfighter · as Visual Effects |
| 1950 | Panic in the Streets · as Visual Effects |
| 1950 | Where the Sidewalk Ends · as Visual Effects |
| 1950 | Stella · as Visual Effects |
| 1950 | Under My Skin · as Visual Effects |
| 1950 | Wabash Avenue · as Visual Effects |
| 1950 | Cheaper by the Dozen · as Visual Effects |
| 1949 | Dancing in the Dark · as Visual Effects |
| 1949 | Thieves' Highway · as Visual Effects |
| 1949 | Come to the Stable · as Visual Effects |
| 1949 | I Was a Male War Bride · as Visual Effects |
| 1948 | Yellow Sky · as Visual Effects Camera |
| 1948 | Cry of the City · as Visual Effects |
| 1948 | Call Northside 777 · as Visual Effects |
| 1947 | Daisy Kenyon · as Visual Effects |
| 1947 | Captain from Castile · as Visual Effects |
| 1947 | Kiss of Death · as Visual Effects |
| 1947 | I Wonder Who's Kissing Her Now · as Visual Effects |
| 1947 | Miracle on 34th Street · as Visual Effects |
| 1947 | The Ghost and Mrs. Muir · as Visual Effects |
| 1947 | The Late George Apley · as Visual Effects |
| 1946 | My Darling Clementine · as Visual Effects |
| 1946 | Margie · as Visual Effects |
| 1946 | Home, Sweet Homicide · as Visual Effects |
| 1946 | The Dark Corner · as Visual Effects |
| 1946 | Dragonwyck · as Visual Effects |
| 1946 | Colonel Effingham's Raid · as Visual Effects |
| 1945 | Leave Her to Heaven · as Visual Effects |
| 1945 | Fallen Angel · as Visual Effects |
| 1945 | Hangover Square · as Visual Effects |
| 1945 | The Bullfighters · as Visual Effects |
| 1944 | Laura · as Visual Effects |
| 1944 | The Big Noise · as Visual Effects |
| 1944 | Pin Up Girl · as Visual Effects |
| 1944 | Four Jills in a Jeep · as Visual Effects |
| 1944 | The Purple Heart · as Visual Effects |
| 1944 | Lifeboat · as Visual Effects |
| 1943 | The Gang's All Here · as Visual Effects |
| 1943 | Happy Land · as Visual Effects |
| 1943 | Holy Matrimony · as Visual Effects |
| 1941 | How Green Was My Valley · as Visual Effects |
| 1930 | The Big Trail · as Production Design |