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Poison
Directed by
Wes Anderson
PG
2023
17m
Comedy
,
Thriller
,
and more
6.8
94%
70%
6.9
Add to Watchlist
When a poisonous snake slithers onto an Englishman's stomach in India, his associate and a doctor race to save him.
More
Where to Watch Poison
Netflix
Subscription
Netflix Basic with Ads
Subscription
Cast of Poison
Benedict Cumberbatch
Harry Pope
Dev Patel
Supervisor Woods
Ben Kingsley
Dr. Ganderbai
Ralph Fiennes
Roald Dahl
Eliel Ford
Stagehand
Benoît Herlin
Stagehand
Wes Anderson
Director / Writer / Producer
Steven M. Rales
Producer
John Peet
Co-Producer
Molly Rosenblatt
Associate Producer
Jeremy Dawson
Producer
Octavia Peissel
Co-Producer
Alice Dawson
Co-Producer
Anna Pinnock
Set Decoration
Adam Stockhausen
Production Design
Claire Peerless
Art Direction
Richard Hardy
Art Direction
Robert D. Yeoman
Director Of Photography
Frances Hannon
Hair Designer
Kasia Walicka Maimone
Costume Design
See all
Poison Ratings & Reviews
Geek Vibes Nation
Cody Allen
Poison is an engrossing conclusion to a series that holds the audience spellbound with its suspenseful narrative and expertly crafted visuals.
InSession Film
Zach Youngs
Be awed by the incredible camerawork of Poison. These four shorts are a welcome addition to the Anderson canon and an obvious labor of love by all involved.
n+1
A.S. Hamrah
Because of the sets, which were built on location, the film has an abstract quality. It draws on a rich history of midcentury drama and science, moves swiftly, nothing lingered on...
LarsenOnFilm
Josh Larsen
...one of Anderson's most potently political films.
Asheville Movies
Edwin Arnaudin
Lacks the ambitious production design of its peers, yet compensates with phenomenal facial restraint from Cumberbatch.
Robin Holabird
Robin Holabird
Dahl's writing defies typical screenwriting approaches...
The Saturday Evening Post
Bill Newcott
You can take your pick of these four Anderson/Dahl gems, but skipping any one of them would be like leaving one piece of your Wonka Bar untouched.
Detroit News
Adam Graham
He's highlighting the fantasy of it all, openly staging some scenes as acts of pure imagination, the way they would be in the head of a reader curled up with one of Dahl's books. In so doing, Anderson becomes the tour guide through Dahl's world.
Slate
Sam Adams
It works the way a good short story does, outlining a situation or state of being and then leaving us to imagine the rest.
Polygon
Siddhant Adlakha
[Anderson] uses his signature stylizations to dig into both the layers of authorship featured in his recent films, as well as the meaning behind them, in a series that's as much an adaptation of a specific author as it is a tribute to his life and legacy.
The New Yorker
Richard Brody
Lest viewers become even briefly comfortable with the enchantments of his staging and of his actors' performances, Anderson jolts them alert with ever more audacious contrivances.
Decider
John Serba
[Poison] is unbearably suspenseful (it makes sense that it previously was adapted for Alfred Hitchcock Presents by the master himself).
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