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M*A*S*H
Directed by
Robert Altman
1970
1h 56m
R
Comedy
,
Drama
,
War
7.4
84%
83%
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The staff of a Korean War field hospital use humor and high jinks to keep their sanity in the face of the horror of war.
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Where to Watch M*A*S*H
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Cast of M*A*S*H
Donald Sutherland
Hawkeye Pierce
Elliott Gould
Trapper John
Tom Skerritt
Duke Forrest
Sally Kellerman
Maj. Margaret 'Hot Lips' O'Houlihan
Robert Duvall
Maj. Frank Burns
Roger Bowen
Lt. Col. Henry Blake
René Auberjonois
Father Mulcahy
David Arkin
Wade Vollmer
Jo Ann Pflug
Lt. 'Dish' Schneider
Gary Burghoff
Cpl. 'Radar' O'Reilly
Fred Williamson
Spearchucker Jones
Michael Murphy
Me Lai Marston
Indus Arthur
Lieutenant Leslie
Ken Prymus
PFC. Seidman
Bobby Troup
Sgt. Gorman
Kim Atwood
Ho-Jon
Timothy Brown
Caplain Judson
John Schuck
Captain Waldowski
Dawne Damon
Captain Storch
Carl Gottlieb
Ugly John
Tamara Wilcox-Smith
Captain Knocko
G. Wood
Brig. Gen. Charles Hammond
Bud Cort
Warren Boone
Danny Goldman
Captain Murrhardt
Corey Fischer
Captain Bandini
Sylvester Stallone
Soldier (uncredited)
Stephen Altman
Duke's 5-Year-Old Son
Jerry Jones
Motor Pool Sergeant
James B. Douglas
Col. Wallace C. Merril
Gerry Okuneff
Football Player
Cathleen Cordell
Capt. Peterson
M*A*S*H Reviews
Chicago Sun-Times
Roger Ebert
One of the reasons M*A*S*H is so funny is that it's so desperate.
Slant Magazine
Eric Henderson
A good dint lower than its reputation, more so if you look at it not as one of the seminal 1970s films but instead as the first chapter from the finest filmmaking career spent examining the American mystique.
Chicago Tribune
Gene Siskel
For me, M*A*S*H contains as much depression as humor.
St. Louis Post-Dispatch
Myles Standish
It is ribald, cruel, sick, sacrilegious, offensive and enormously funny, continuously and wildly hilarious.
Hollywood Reporter
John Mahoney
The finest American comedy since Some Like It Hot, the Mr. Roberts of the Korean War, The Graduate of 1970, and the film that has been expected from director Robert Altman for some short time.
Chicago Reader
Jonathan Rosenbaum
This is still watchable for the verve of the ensemble acting and dovetailing direction, but some of the crassness leaves a sour aftertaste.
Variety
Variety Staff
In the end M.A.S.H. succeeds, in spite of its glaring faults.
New York Times
Roger Greenspun
Although it is impudent, bold, and often very funny, it lacks the sense of order (even in the midst of disorder) that seems the special province of successful comedy.
Austin Chronicle
Marjorie Baumgarten
Altman's irreverent portrait of a Korean War medical unit.
Los Angeles Free Press
Michael Ross
A good (but not great) comedy about the calculated idiocies of war precisely because it is a human and ultimately humane movie.
Dennis Schwartz Movie Reviews
Dennis Schwartz
A black comedy that rings hollow today.
The Nation
Robert Hatch
I looked in vain for pertinence or surprise. Nor was I shocked: without some maturity (if not by the participants, at least by the managers), irreverence is merely brash.
Filmcritic.com
Christopher Null
A battle against the idea that 'a war movie' had to be a serious affair.
EmanuelLevy.Com
Emanuel Levy
Impudent and bold, M.A.S.H., Altman's most commercial film, satirizes the glorification of war, military bureaucracy, social hypocrisy, repressed sexuality and other norms than have lost their validity.
Common Sense Media
Heather Boerner
Rollicking, biting, satirical classic is so 1970.
Film Freak Central
Walter Chaw
Altman boiled away the muddled meat of literary pretension intended to smokescreen the essence of war: blood on the one side and semen on the other.
ColeSmithey.com
Cole Smithey
[VIDEO ESSAY] "M*A*S*H" ruthlessly satirizes the hypocritical U.S. military, and de facto the U.S. Government, for its systemic hypocrisies and arbitrary means of doling out Draconian punishments to friends and foe alike.
Antagony & Ecstasy
Tim Brayton
That it's is so much of its moment doesn't mean that it's aged poorly... it's brash enough and inventive enough to still feel like a work of radicalism, more than 40 years on,
CinePassion
Fernando F. Croce
Altman chronicles the sardonic wasteland with a camera that's always in the wrong place at the right time
TIME Magazine
M.A.S.H., one of America's funniest bloody films, is also one of its bloodiest funny films.
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