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Echo
Directed by
Rúnar Rúnarsson
2019
79m
Not Rated
Drama
7
100%
46%
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Everyday life in Iceland around Christmas time: 56 vignettes full of joy, sorrow and thought-provoking situations.
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Where to Watch Echo
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Cast of Echo
Ragnar Jónsson
Bjarki Thor
Sigurmar Albertsson
Bent Kingo Andersen
Sif Arnarsdóttir
Ari Arnarson
Finnur Arnar Arnarson
Árni Arnarson
Gísli Már Arnarsson
Jon Magnus Arnarsson
Pétur Arnarsson
Bragi Arnason
Fannar Freyr Atlason
Sigurjón Þór Atlason
Álfgrímur Aðalsteinsson
Ólíver Tumi Auðunsson
Messíana Baldvinsdóttir
Mikael Hrafn Baldvinsson
Michele Bardasi
Armando Begirai
Salka Björnsdóttir
Echo Reviews
IONCINEMA.com
Nicholas Bell
[Echo] is an ambitious, bird's eye overview of human behavioral observations between moments of tumultuousness and familiarity, almost ethnographic in its attempt to present a modern portrait of objective interaction.
Always Good Movies
Filipe Freitas
This interesting idea ended up with a competent execution, with episodes of varying duration flowing at a nearly-pendular pulse and cohering in an intelligible way.
Slant Magazine
Paul O'Callaghan
The film ultimately coheres into a vivid portrait of contemporary Iceland that's equal parts bleak and beguiling.
Hollywood Reporter
Boyd van Hoeij
A multipart portrait of contemporary Iceland emerges that feels necessarily somewhat incomplete, given time constraints, but always deeply human.
Variety
Jay Weissberg
Once a sense of rhythm is grasped, things fall into place, and audiences will exit the cinema debating their favorite scenes, recalling a wealth of graceful, humane interactions.
Film Inquiry
Clement Tyler Obropta
Echo doesn't give its audience straightforward answers, but it doesn't ask straightforward questions. It is, to me, one of the best films of 2020, because of that uncertainty, amorphous meaning, and kaleidoscopic storytelling.
Eye for Film
Anton Bitel
The disparate vignettes of Echo are held together by strange rhymes and resonances, so that social, generational, economic and political conversations and contradictions are juxtaposed between, and sometimes even within, individual scenes.
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